The album's title cue: pulsing analogue synths and drones under strings and piano, driven forward by risers and huge drum hits toward a back-end payoff at 100 BPM in C minor. Its piano gives it the most emotional, human centre of the set, useful when an underwater sequence needs melancholy as well as menace.
The shortest of the mid-tempo pieces after the closer, 105 BPM in D minor and built without strings — mostly drone, pulsing analogue synth, sound design and huge drums. The lean, percussive design suits sinking-city and deep-dive imagery where dialogue or narration needs air between hits.
At 70 BPM in D minor this is the slowest and most spacious cue on the album, letting drone, arpeggiated analogue synth and strings unfold over three-plus minutes before the big drums arrive. Ideal for wide planetary ocean photography and a slow dawning sense of scale or dread.
The fastest cue here at 120 BPM in D minor, tagged for horror as well as epic — arpeggios and pulsing synth push hard under huge drums and hits. Villain-coded and aggressive; cut it to a pursuit, a weapon reveal or an antagonist introduction.
105 BPM in B-flat minor across a full 3:14, with action and horror in its makeup: string arpeggios and pulsing synth escalating into huge drums and risers. The big-wave title suits surf, storm and last-stand footage that needs a long build with room for two escalations.
Named for the medieval North Sea flood, this 75 BPM C# minor cue adds ticking-clock elements to the arpeggios, drones and huge drums, so tension accumulates slowly across 3:17. Best for disaster narrative, countdown structure and grim historical reconstruction.
90 BPM in E-flat minor and a tight 2:37, combining ticking pulse figures with string arpeggios, drone and heavy drum hits for a martial, ancient-conflict feel. Suits naval history, strategy and any sequence where alliances are forming under threat.
A compact 2:37 at 105 BPM in D minor with a ticking-clock undercurrent beneath pulsing analogue synth, arpeggios and huge drums. The giant-wave reference and trailer-length arc make it a clean fit for a single escalating action sequence.
At 1:42 the shortest cue here, 105 BPM in B-flat minor, stripped of strings and leaning on drone, pulsing analogue synth, sound design, risers and huge drums. A neat origin-story stinger or trailer end-card bed where you only need one arc.