The album's fastest feel-good opener: 158 BPM in bright D major driven by stacked male vocal harmonies, handclaps and a simple beat, with lead vocals carrying a cheeky hook. Under two minutes and relentlessly upbeat, it suits fast-cut comedy and consumer advertising where the voices are the whole arrangement.
A mid-tempo 108 BPM C major charmer built on guitar and layered male vocal harmony with a satirical, dramedy wink. Its short 1:41 length and steady swing make it easy to drop under dialogue-light comedy scenes or a light-hearted product spot.
Accordion-led tango in A minor at 126 BPM, the longest of the comedic cues at 2:31, mixing genuine romantic melancholy with tongue-in-cheek theatricality over close male vocal harmonies. Good for mock-dramatic seduction, European travel footage or a knowingly overwrought comedy beat.
A brisk 156 BPM samba in G minor with shaker, percussion and upright bass under a thick bed of male vocal harmony, playful and slightly satirical rather than authentically Brazilian. At 1:39 it works as a compact high-energy burst for carnival, party or fast comedy cutting.
Swing-flavoured pop at a dance-friendly 120 BPM in G minor, powered by claps, a plain beat and multi-tracked male vocals with a comic edge. The minor key gives it a slightly mischievous tint that separates it from the album's major-key cheerleaders.
The title cue and the most stripped of all: 130 BPM in E major with nothing listed but lead male vocals and vocal harmony, a 1950s-sitcom pastiche played for laughs. Its a cappella texture makes it stand out on a reel and suits nostalgic, deliberately wholesome footage.
At 186 BPM in E minor this is the album's most frantic cue, with ukulele, finger snaps, bass and whistling stacked against fast male vocal harmony. Two minutes of comic momentum for scenes that need giddy forward motion and a whistled hook.
Relaxed 104 BPM jazz-pop in G major with guitar, upright bass and cymbal supporting scat-style male vocal harmonies, the slowest of the comedy set. Its easy swing and light touch fit café scenes, cooking segments and gently humorous narration.
The album's straight-faced emotional turn: 122 BPM in G minor with piano and shaker under heartfelt male lead and harmony vocals, melancholic and mellow rather than comic. At 2:19 it works as the sincere payoff after the jokes, or as a bittersweet dramedy closer.