The most densely produced cue on the album: 130bpm in E major with arpeggiated synth and pad, claps and percussion, trailer drums, strings and acoustic guitar, topped by background vocals and SFX transitions. The homecoming title suits warm, emotional footage, and the 2:40 length allows a long build to a big payoff.
The shortest and most minor-shaded cue here: 135bpm in D#m, built from driving drums and bass under layered acoustic and electric guitar, piano and sustained pad, with strings lifting the top end. Its two-minute length makes it a tight edit-ready bed that climbs steadily and lands rather than lingering.
At 135bpm in A minor this is the most rhythm-forward cue on the set, pairing a programmed beat and live percussion with trailer drums for weight, over electric guitar, piano and synth with wordless background vocals adding air. The longest running time on the album gives room for a slow climb and a big final section.
The title track, 130bpm in bright C# major, leaning on acoustic guitar and piano with electric guitar and strings, plus SFX risers and background vocals for lift. A compact two-minute sunrise arc — open and hopeful at the start, full and resolved by the end.
A 132bpm C# major cue distinguished by vocal shouts alongside background vocals, giving it a crowd-energy, forward-looking feel over drums, bass, piano, acoustic and electric guitar with strings. Optimistic and anthemic across its 2:40, aimed at footage about what comes next.