Mad Funky Beats

Breakbeat-driven electronic funk with a bouncing organ and clav hook over chopped drums and wobbling bass-weight synths. Cartoonish and confident rather than aggressive, it suits comic action and sports cutdowns where the joke lands on the beat.

Funky electronic breaks built on organ stabs, clipped guitar, cowbell and short vocal samples, with a strutting, slightly cheeky swagger. The longest of the up-tempo group, it has room to drop out and rebuild, making it useful for a montage that needs more than one gear.

Driving breakbeat funk with guitar licks, cowbell and clap-led drums under chopped hip hop vocal samples and a UK rap delivery. The vocal presence keeps it front and centre, so it works better as an energy statement than as a bed under dialogue.

Horn-punctuated electronic funk over breakbeat drums, guitar and cowbell, with vocal sample chops adding a wink to the groove. The brass hits give it a retro heist swing that cuts well to comic timing and quick-fire reveals.

The album's downshift: brushed electronic beat, Rhodes chords and strings under a male vocal, moody and reflective rather than funky. At nearly four minutes it has space to open up, suiting an introspective or investigative sequence with emotional weight.

Cinematic electronic cue pairing airy bell figures and wide synth pads with bass-heavy dubstep-leaning drums and claps. Dreamy and slightly melancholy, it fits coastal drone footage and slow-motion extreme sports where the drop reads as awe rather than aggression.

Companion to the album's ethereal half, adding guitar to the bells, pads and heavy half-time beat for a slightly more grounded, human feel. Builds from reflective to widescreen, made for summit shots and long-lens slow motion.

Softer-edged cinematic electronica with bells, organ pads, chopped vocal samples and a steady clap-marked beat. Dreamy and buoyant without a hard drop, it sits comfortably under narration or a reflective voiceover.

The longest cue here, an atmospheric electronic piece with organ pads, sustained synths, vocal samples and an understated beat. Its length and slow emotional bloom suit an extended sequence — closing montage, epilogue or a long-form documentary chapter.

Bright, positive electronic funk with organ, vocoder treatments and processed vocal samples over a clap-led beat. The most optimistic track on the record, aimed at fashion b-roll and feel-good openers rather than tension.

Instrumental version of the same atmospheric electronic cue, with the vocal samples removed to leave organ pads, synths and the understated beat. Identical length and arc, so it drops straight in where narration or dialogue needs the foreground.