The album's longest track at 6:09, layering an arpeggio over strings, deep bass, drone and glitched beats for a cool, cinematic urban feel. The extended length gives room for a long build and release — ideal for extended edits, night-city montage and title sequences.
Mellow but dark: harp figures against a drone, deep synth bass and glitchy downtempo drums, the arrangement patient across nearly five minutes. Its title-implied gradual shift suits before-and-after storytelling, quiet character change and slow scientific process visuals.
The shortest cue at 3:05 and the most dub-influenced — deep bass, glitched beat, drone and piano with female vocals used as distant atmosphere. Sci-fi flavoured and self-contained, good for a short-form spot or a scene transition in a space or tech narrative.
Named for its engine: a driving arpeggio pattern pushed by hits and impacts, with synth stabs and piano cutting through for emotional lift. The hardest-edged, most futuristic track on the set — cut for action sport edits, tech reveals and chase-adjacent sequences.
The most songlike and emotional cue here: piano lead over strings and a downtempo electronic beat, with rain and thunder textures setting a melancholy weather scene. Its 3:30 length and hopeful-but-sad arc fit a turning-point moment in drama or documentary — loss giving way to resolve.
Dreamlike chillstep built on a half-time beat, wide synth pads and a rolling arpeggio, with wordless female vocals floating over the top rather than delivering a lyric hook. The long five-and-a-half-minute shape suits slow-reveal visuals: beauty and fragrance spots, fashion film, sci-fi atmosphere.