Teenage Rock Vol.1

Short, bright garage-rock cue built on distorted electric guitar, bass and straight-ahead drums, aimed squarely at high-school celebration footage. The uplifting, feel-good drive and 1:36 length make it a self-contained montage bed rather than an underscore.

The shortest of the album's flirt-themed cues at 1:21, pairing distorted guitar riffing with a synth layer for a slightly cartoonish, comedic edge. Fast and cheerful throughout, built for a quick gag or a crush reveal.

Driving guitar-band rock with distortion, bass and busy drums, played for comedy rather than romance — a pursuit-of-the-crush cue. Its 1:29 length suits a compact scheming or chase-the-girl sequence.

Muscular, forward-leaning rock built from distorted guitar, bass and hard-hitting drums, with a tongue-in-cheek comedic tilt suited to street-racing bravado. Energetic and unbroken across 1:29.

Darker and sneakier than the album's feel-good cues: chugging distorted guitar over bass and drums, with a quirky, suspenseful and slightly sexy undertone. Good for a mischief-in-progress scene where the payoff is comic rather than dangerous.

At 1:48 one of the longer cuts, and the only one to add organ over the distorted guitar, bass and heavy-beat drums, giving it a sleazy, seductive garage swagger. Quirky and suspenseful rather than triumphant — a strut or seduction gag.

The album's centrepiece at 3:22 — a full-length uplifting rock build on distorted guitar, bass and driving drums with room for real dynamic shape rather than a single loop. Best for a graduation or end-of-era montage that needs a genuine arc and ending.

Punchy 1:22 guitar-rock burst, feel-good and cocky, geared to a makeover or wardrobe reveal. Distorted riffs, bass and steady drums with a sports-highlight kind of forward push.

The sunniest cue on the record: happy, feel-good rock with distorted guitar, bass, drums and a synth sweetener across a tight 1:22. Suits poolside summer footage and a first-kiss beat played light.

The shortest track at 1:11 — a compact, happy surf-flavoured rock hit of distorted guitar, bass and drums with a sporty bounce. Ideal for a quick beach cutaway or a short-form ad where you need energy immediately.

The most intense cue here: a 1:15 chase built on urgent distorted guitar, bass and hammering drums, comedic in tone but genuinely driving. Cut for a foot pursuit or a panicked-escape gag.

Open-road guitar rock at 1:12, feel-good and forward-moving with distorted riffs, bass and steady drums. Made for windows-down driving footage and coastal travel cutaways.

Cocky, slightly sleazy 1:14 rock cue — distorted guitar, bass and drums with a sexy, misbehaving edge rather than an uplifting one. Suits underage-party mischief and comedic bad decisions.

Volume-up attitude rock in 1:13: driving distorted guitar over bass and insistent drums, cool and sexy rather than sweet. A quick jolt for stereo-cranking or crowd-hyping footage.

At 1:42 one of the longer cuts, with an urgent, summer-break drive across distorted guitar, bass and pushing drums. The added length gives space for a workout or heat-of-the-moment sequence to breathe.

Good-time pit-of-the-crowd rock at 1:20 — distorted guitar, bass and driving drums with a rowdy, communal energy. Fits live-gig footage, festival crowds and summer-break chaos.

The silliest cue on the album: 1:18 of bouncy, goofy guitar rock on distorted electric guitar, bass and drums, pitched at pre-teen energy rather than teen swagger. Useful for schoolyard comedy and awkward-adolescence footage.