Rock For Tv Ads Vol.1

A short, cheeky guitar-band instrumental built on clean electric riffing, bass and a cowbell-driven backbeat that keeps the groove tongue-in-cheek rather than heavy. At 2:10 it's cut close to ad length and suits light comedy footage where the joke needs a wink rather than a punchline.

Upbeat pop-rock with lead male vocals, gang backing vocals and handclaps over a walking bass and steady kit — the title's sense of forward motion carries through the whole cue. Best for feel-good walking or travel montages and family-brand advertising where a sung hook is welcome.

The darkest cue here: driving guitar rock with female lead vocals, an ominous edge and a sexy, fashion-runway swagger, and at 3:48 the longest track on the album. Suits night-drive footage, catwalk sequences and action-tinged spots that want attitude rather than cheer.

A count-in-and-go instrumental rocker with claps, bass and bright guitars, aimed at the moment a spot kicks into its main action. The comedy-drama tilt in the tags makes it useful for lightly absurd footage that still needs real momentum.

Same clap-and-guitar band setup as its neighbours but with piano filling out the chords, giving a warmer, sunnier feel-good bounce. Good under smiling-faces advertising, cooking or café footage and lighthearted lifestyle reels.

An anthemic, inspiring pop-rock song with male lead and backing vocals, big guitars and a romantic uplift that grows across three minutes. Fits brand films about ambition, festival or fireworks footage, and emotional end-of-episode montages.

Short, distorted and confident: crunchy guitars, punchy bass and drums with a corporate-sports polish, running just 2:22. Built for gym footage, highlight reels and product spots that need immediate lift with no vocal in the way.

A 43-second grungy guitar hit — distorted power chords, bass and drums with no room for development, just impact. Essentially a cutdown bumper for stings, logo ends and short-form social edits.

The most earnest cue on the album: piano under guitars and drums with male lead and backing vocals, motivating rather than comic. Suits underdog documentary footage, graduation and charity films, and corporate stories about reaching a goal.

A percussion-only piece — drums, hand percussion and claps with no guitars or bass — playful and quirky rather than ritual-serious despite the title. Ideal as a rhythm bed under voiceover, comedic chase or countdown footage and kids' content.

Fast, distorted surf-flavoured punk rock: driving guitars, bass and hard-hitting drums with no vocals and no comic wink. Cuts well to skate, surf and BMX footage or any sports package needing relentless forward drive.

Bouncy, cheerful rock with organ and bells brightening the guitar-bass-drums core, tagged for holiday use as well as general good mood. Works for morning-routine ads, seasonal retail spots and warm-hearted comedy scenes.

The longest of the sung feel-good numbers at 3:25, with male lead, gang backing vocals and claps over a rolling guitar band groove that suits a journey narrative. Natural fit for road-trip footage, car commercials and travel series openers.

A swing-feel holiday rocker: sleigh bells and organ over shuffling drums, guitar, bass and claps, playful and festive rather than sentimental. Made for Christmas retail advertising, seasonal promos and comic holiday scenes.

Cool, slightly mysterious pop-rock with male lead and backing vocals and a fashion-leaning strut rather than an outright grin. Suits style and beauty spots, quirky brand films and night-time lifestyle footage.

Organ-coloured feel-good rock instrumental with a bouncing bass and steady backbeat, uplifting and unfussy across nearly three minutes. Good for weekend and leisure footage, insurance or bank ads and easygoing lifestyle reels.

Retro-leaning instrumental rock where synth sits alongside organ, claps and a bouncy guitar-bass groove, giving it a period tinge the neighbouring cues lack. Fits nostalgia edits, archive footage packages and vintage-styled product advertising.

Compact 2:18 optimistic rocker with male lead and backing vocals, claps and bells adding sparkle to the guitar band. Aimed squarely at aspirational advertising, first-day-of-something footage and positive campaign films.

A short, hand-clapping instrumental with a loose southern-rock swagger in the guitar and a sports-ready drive. Works under road and outdoor footage, BBQ and beer advertising, and sports show packaging.

Distorted guitars and bells behind male lead and backing vocals give this one a slightly mysterious, nostalgic cast over an otherwise upbeat bounce. Suits looking-back narratives, coming-of-age montages and lifestyle spots with a wistful edge.

The album's longest party-leaning rocker at 3:38, with distorted guitars, bouncing bass and vocals plus backing vocals carrying the hook. Good for drinks and snack advertising, crowd and party footage, and end-credit energy.