Gentle Guitar Vol.1

The longest of the standard-length cues at nearly five minutes, and the most openly positive: gentle solo classical guitar with a hopeful, lullaby-soft character. Winter imagery, seasonal spots and slow emotional resolutions all fit its unhurried pace.

The album's explicitly somber piece — under two minutes of quiet classical guitar, downcast and intimate, sized for a single sad beat. Good for loss, bad news and the pause after a revelation.

A compact two-and-a-half-minute solo guitar cue, soft and dreamlike, with the drifting quality its title implies. Sits well under time-lapse, idle moments or a reflective voiceover that needs no musical event to compete with.

The outlier on the album: cheerful and playful rather than dreamy, with a lighter, more mischievous fingerstyle character while keeping the intimate solo guitar setting. Works for toddlers, pets and gently comic domestic moments. Three minutes of easy, unforced motion.

Warm, lullaby-tinged solo classical guitar over three minutes, delicate and emotional rather than sad. Suits stories of small mercies and fragile optimism — charity footage, quiet acts of kindness. Leaves plenty of air for a speaking voice.

The most drama-leaning of the mid-length cues: nearly five minutes of intimate, moody classical guitar with space to develop a character's inner state. The title suggests following someone, and the sustained solo writing supports long walking or memory footage. Melancholy but restrained.

Solo classical guitar with a moodier, more shadowed cast than the album's bedtime pieces, running just over three minutes. Flowing, continuous fingerwork suits water, weather and slow landscape imagery. Sits comfortably behind nature narration.

An eleven-minute extended solo guitar piece, moodier than the lullaby cues on the album and clearly intended as a long-form bed. Continuous, introspective fingerstyle that can underscore an entire segment or loop-length installation without a hard arrival point.

Four minutes of tender, lullaby-leaning classical guitar written to stay in one emotional place. Its length makes it suitable for extended tender footage — a parent and child, a goodbye, a long fade. Deeply quiet and undemanding under speech.

A longer three-minute solo guitar piece, intimate and dreamy, with room to carry a full sequence rather than a single shot. The title points at morning light and fresh starts, though the writing stays soft and introspective throughout. Works for waking scenes, new-beginning narration and reflective openings.

Solo classical guitar with a gently hopeful lean, the one cue here tagged toward optimism rather than sleep. Steady fingerstyle motion suits travel and forward movement without ever raising its voice. Fits road footage, walking shots and quiet turning points.

The briefest cue on the set at just over a minute — a single intimate classical guitar idea, mellow and dreamlike, stated and closed. Useful as a scene-change or a tail bed under dialogue where a longer piece would overstay.

Unaccompanied classical guitar in a soft, lullaby-like register, short enough to sit under a single scene without needing edits. Fingerpicked and unhurried, with a settled, drowsy feel rather than any build. Good for bedtime, illness or quiet-recovery footage.