Unaccompanied hollowbody electric guitar at a very slow 47 BPM in E flat, chord-melody playing left to breathe across more than five minutes. Warm, autumnal and introspective, with the room sound of a live studio take audible around the notes. Fits reflective late-season footage, memory sequences and quiet interior scenes.
The one Latin-leaning cue on the set: a bossa nova feel in C at a bright 164 BPM played solo on a warm archtop electric. Playful and sunlit rather than moody, with steady rhythmic comping driving it forward across just over three minutes. Suits travel, holiday and hospitality footage.
A fingerstyle showcase in F at 146 BPM, solo electric guitar with a relaxed swing and an easy, good-humoured lift. Four and a half minutes of continuous playing with no accompaniment, so it sits comfortably under narration. Good for craft, artisan and workshop footage or light comedy interstitials.
The fastest cue here — a fizzing 220 BPM swing in D flat, solo guitar in a quirky, bebop-tipped mood over a tight under-three-minute run. Energetic and slightly comic without ever losing the warm hollowbody tone. Works for capers, busy montages and vintage-flavoured comedy.
A waltz-titled solo guitar piece in C at 142 BPM, intimate and a little wistful in a European cafe register. Chord-melody playing carries the tune for four and a half minutes with the live room audible around it. Suits Parisian street footage, romance and nostalgic reflection.
An up-tempo standard-style solo guitar reading in C at 167 BPM, warm-toned and conversational rather than showy. Three and a half minutes of swinging chord-melody with an intimate, close-miked feel. Fits nightclub interiors, romantic comedy and archive-driven jazz history segments.
The bluesiest and moodiest cue on the album: solo electric guitar in B flat at a loose 74 BPM, unhurried and shaded with melancholy. Under four minutes, sparse enough that dialogue and narration sit easily over it. Good for late-night scenes, loss and quiet noir-tinged footage.
Solo hollowbody guitar in A minor at 102 BPM — the only minor-key cue here, giving it a more pensive, bittersweet cast than its neighbours. Compact at under three minutes, with intimate chord-melody phrasing and no accompaniment. Suits letters, farewells and tender character moments.
The slowest piece on the record at 56 BPM in C, nearly five minutes of unaccompanied ballad guitar with generous space between phrases. Deeply intimate and romantic, the live room tone giving it an after-hours stillness. Ideal for wedding footage, tender scenes and slow emotional fades.
A brisk 182 BPM swing in F for solo electric guitar, playful and lightly quirky with a European boulevard bounce. Three and a half minutes of steady forward motion and no accompaniment. Fits city-walk footage, market scenes and buoyant travel edits.