Cinematic Avantegarde Vol.1

The album's longest and most stripped-back cue: drone, pad and synth sustained for over six minutes with no percussion or melodic lead. Built for glacial, wide-open imagery and extended narration where the music must stay out of the way.

Horns, trumpet and French horn set against strings, bells and unpitched noise across five minutes, making it the most brass-forward and dramatically dark piece on the record. It suits long sequences that need mournful grandeur and an unsettled undertow.

Darker than its neighbours: strings and brass over drone and pads, with organ adding a funereal, sacred colour. Three minutes of grave, mysterious atmosphere for footage dealing with death, ruin or old institutions.

Strings and pads underpinned by drone, with brass and a solo trumpet line bringing a ceremonial edge to the album's ethereal language. Around two and a half minutes, it reads as ominous but noble — a reveal or an approach rather than a resting place.

Solo piano alone, unaccompanied, for a minute and a half — the barest and most directly sad cue on the album. Its title points to farewell, and its brevity makes it a natural fit for a single quiet moment rather than a sequence.

Pure texture: pads, drone and sound design layers held for over five minutes with no melodic lead at all. A tension and atmosphere bed for scenes that need scale and disquiet without a musical event.

A ninety-second miniature with vinyl surface noise, guitar, piano and a low drone under a soft pad — nostalgic and faintly worn-sounding. Ideal as a short interlude or a title card where a full cue would be too much.

Same choir, piano, pad and reverse-sound palette as its companion pieces, given four and a half minutes to unfold at a slower, more patient pace. Suited to extended scenes where the music needs to sit under narration and hold an atmosphere of remote beauty and unease.

A short choral-ambient piece with piano, pads and reversed sounds smearing the edges of each phrase. At under three minutes it is the compact version of the album's northern-wilderness mood — dreamy, cold and slightly uncanny.

The most band-shaped cue here: choir and wordless voices and piano set against distortion guitar, bass and drums, giving the album's ethereal palette a post-rock weight. Over three and a half minutes it can lift from hushed pads to a fuller, heavier crest suited to widescreen landscape footage.

An atmospheric texture piece using running water field recording, woodwinds and a low drone, with distant and male voices treated as ambience rather than lead melody. Roughly four minutes of ritual, otherworldly stillness that never settles into a conventional structure.

A long-form ambient piece built on sustained cello and string writing over synth pads, with bells and sparse piano marking time rather than driving it. Its five-plus minutes stay reflective and unhurried, moving between beauty and quiet grief without a clear climax.