Electro Rock Vol.1

All-night party closer with a hard-charging beat, clapped backbeat and gritty guitar riffs pushing to exhaustion, as the title suggests. Two minutes of sustained high energy with a definite ending.

Tight two-minute electro-rock groove with a spinning, cyclical feel implied by the title, built from claps, bass, guitar and synth. Balanced between fashion polish and sports drive, it suits fast rotational or vehicle imagery.

Relentless, forward-pushing electro rock geared to endurance and momentum, with claps and bass driving guitar and synth hooks. The 2:14 length and repeating drive make it a solid training or perseverance montage bed.

Glossy, uplifting electro rock with clapped groove and bright synth over guitar, the title suggesting a rise-and-fall glamour narrative. At 2:16 there is room for a build into a full-power final section.

Quirky, hyperactive electro rock with oddball synth figures over claps and distorted guitar, close in spirit to the game-flavoured material. Its 1:52 length makes it an efficient short-form burst.

Stripped to the essentials — driving beat, clapped backbeat, bass and riffing guitar with synth support — and tagged without the uplifting or sports angles, so it stays a straight party groove. Useful as a neutral, attitude-forward underscore.

The most frantic and quirky cue on the record, with arcade-flavoured synth lines over fast electro-rock guitar and beat. At 1:46 it's the shortest track and reads as pure gameplay or chase energy.

Darker, sexier take on the album's formula, with claps and prowling bass under gritty guitar for after-hours energy. The 2:11 length suits a night-set sequence with a clear peak.

Upbeat, happy-leaning electro rock with clapped backbeat and chugging guitar, tagged for kids and family use despite the punchy title. Two minutes of straightforward good-time momentum with a clean finish.

Cheeky, cartoonish electro rock — the same guitar, bass, synth and clap setup, but tagged for kids and mischief, making it the most playful item on the album. At 1:50 it's the shortest of the fun-leaning cuts and edits well as a comic sting or bumper.

The longest cue here at 2:40, giving more room for a hypnotic, repeating synth-and-guitar groove to build across a montage. Claps and a locked-in bass pulse keep it dance-floor oriented while the extra length suits longer edits.

Bright, brash electro-rock cut with buzzing synth lines and gritty guitar, its title pointing at a playful glam-pop attitude. A confident, party-ready track with no handclap layer, so the drums sit tighter and more rock-driven than its neighbours.

Slinky, groove-forward electro rock with handclaps layered over guitar and synth, leaning to the fashion and flirtation side of the album's palette. The 2:15 runtime allows a full verse-and-chorus arc for a catwalk or nightlife sequence.

Driving guitar-and-synth rocker with a triumphant, competitive edge implied by the title, riding a steady club-rock beat and fat bass. Under two minutes, it plays as a short victory or finish-line piece.

Punchy electro-rock built on distorted electric guitar riffs, synth stabs and a four-on-the-floor beat, with an anthemic call-to-action feel that matches the title. At just over two minutes it works as a compact, high-lift cutdown rather than a long bed.