Electro Pop Vol.1

The only cue with turntable scratches over its synth-and-beat club groove, adding a hip-hop-tinged edge to the electro-pop template. At 1:52 with a teen-social title, it suits high school and coming-of-age material with a cocky attitude.

Sleek, seductive club electro on synth and beat with a brighter, happier lean than the album's darkest cuts. Its title and 1:44 runtime point to heels-on-pavement night-out footage and glamour reveals.

At 1:10 the shortest cue on the album — a compact, high-gloss electro-pop hit of synth and club beat with pure pop-star swagger. Cut for idents, logo stings and rapid title sequences.

The one cue with organ colouring the synth-and-clap club groove, giving it a slightly retro, glittery texture inside the electro-pop frame. Just under two minutes of steady party energy for glossy nightlife visuals.

Hard, street-edged club electro on synth, beat and claps, with none of the album's sweeter tags — attitude and swagger only. Short at 1:36, useful as an entrance cue or urban establishing beat.

Distinguished by an arpeggiated synth line running under the club beat, which gives it more forward motion than the stab-driven cues around it. Its 2:15 length and dancefloor-command title suit an extended party or workout build.

Cute and bouncy electro-pop with handclaps driving a light, teasing synth groove. At 1:53 it suits playful character footage, pets or comic dance sequences.

Synth, beat and claps with a spacey, cartoonish title suggesting rising FX and lift-off energy inside a straight electro-pop groove. Just under two minutes, suitable for an upbeat launch or countdown sequence.

A cute, kitschy take on the album's electro-pop formula, its title pointing toward J-pop-flavoured synth hooks over a club beat. The shortest-but-one at 1:22, best used as a sting, ident or quick comic cutaway.

Playful, flirtatious electro-pop on synth and beat, happier in tone than its sleazier neighbours but built from the same club chassis. At 1:50 it fits a short promo or a single montage sequence.

The most provocatively titled cue here — a hard, seductive synth-and-beat electro groove with no cheerful tags, sitting firmly in sleazy club territory. Two minutes of unbroken attitude for strip-lit, after-hours imagery.

Sugary, positive electro-pop on synth and programmed beat, with a knowingly trashy edge implied by the title. Runs long enough at 2:36 to carry a full scene of nightlife or teen party footage.

Guitar, synth and FX over a steady beat with a motivational, corporate-friendly optimism that sets it apart from the album's clubbier material. At 1:42 it's a tidy cutdown length for branded content or an aspirational voiceover bed.

The longest cue on the set and one of only two that add guitar and FX to the synth-and-beat core, giving it a hopeful, inspiring lift rather than pure club sleaze. Its 2:42 runtime suits a narrative arc — travel, city life, people moving through their day.

Bright, cheerful electro-pop with claps, bass and glossy synth lines, tagged for fashion and party energy — the most overtly upbeat cue here. Its two-minute length gives room for a full runway or getting-ready montage.

A short, punchy electro-pop burst built on synth stabs and a driving club beat, sleek and slightly sleazy in attitude. At 1:19 it works as a quick sting or bumper rather than a full bed, hitting its groove immediately and getting out.