Vocal Cocktail Vol. 5

A long-form electronic vocal cue whose title trades romance for danger — cool and sensual with a noir edge. Nearly six minutes, suited to a femme-fatale entrance or a sustained tension-with-glamour sequence.

The full electronic version of "Lady Gypsy", running over five minutes with room for an extended instrumental stretch around the cool, sensual vocal. The main mix to reach for when the acoustic take is too small.

A stripped acoustic reading of the album's "Lady Gypsy", noticeably shorter and less produced than the main version while keeping the same cool, romantic vocal. Use where the full electronic mix is too heavy for the scene.

The softest opening gesture on the soul side — a first-contact, will-they-won't-they vocal that stays romantic and emotionally open. Three and a half minutes, good for early-relationship picture.

Struttingly confident soul vocal tagged for sensuality alone, the conditional title implying a teasing, show-off hook. Compact runtime makes it a clean drop-in for a walk-and-pose sequence.

Confident, persuasive R&B vocal — romantic and sensual but with a demonstrative, forward-leaning title rather than a pleading one. Four minutes of steady groove for a slow-burn seduction scene.

Hook-driven soul vocal with a nonsense-syllable title, pointing at a chant-along chorus and pure flirtation with no emotional weight attached. Radio-length and immediate.

The longest electronic vocal cut here at almost six minutes, built for extended play rather than a tight song edit — cool, sensual and repetitive by design. Ideal where a scene needs continuous heat under dialogue-free picture.

At nearly five minutes this is one of the album's extended electronic vocal grooves, the title implying a laid-back tropical-tinged swagger. Long enough to carry a full sequence without editing.

Cool, stylised electronic vocal track with a character-name title that suggests a swaggering, slightly ironic persona piece. Mid-length and steady, good for a walk-in entrance or a stylish montage.

An electronic vocal cue with a fun, rhythm-forward attitude implied by the title's flow reference — the lightest and most upbeat of the electronic set. Four-minute runtime gives space for extended dancefloor picture.

Shifts the album into electronic production while keeping the vocal front and centre — cool, loved-up and groove-driven rather than soul-band warm. Mid-length and club-adjacent, easy to place as contemporary source music.

Direct and affectionate R&B vocal cue, the invitation in the title placing it squarely in warm romance rather than seduction-with-edge. At nearly four minutes it has room to build and land, useful for a full scene rather than a stinger.

A searching, longing soul vocal — the title's missing-person framing gives it a wistful pull under the sensual surface. Tight three-and-a-half minutes, good for a character alone in a crowd.

The longest of the soul vocals at four minutes, and the title signals heartbreak — expect the emotional end of the album's romantic palette rather than the flirtatious end. Suited to break-up scenes and morning-after regret.

The most purely playful cue in the R&B group, tagged only for its sexy character with no emotional or romantic softening — a flirtatious, party-facing vocal number. Standard radio-length runtime for straight drop-in use.

Soul-leaning vocal track whose title frames a boastful, comparative hook — the emotional register is romantic but with attitude. Compact three-and-a-half-minute song structure that works as a source cue playing in a room.

A vocal R&B/soul cue built on a sultry lead performance, with the title's first-person declaration pointing at a confident love song rather than a lament. Full-length song form at just under four minutes, warm and slow-burning, suited to intimate two-handers.