Retro Funk Vol. 3

The most inward cue here — four-plus minutes of moody retro soul groove with no bright turn, suited to reflection rather than swagger. Its length and single-mood construction make it an easy underscore bed.

A compact 2:19 groove piece with a heavy, loping walk feel and a moody cool attitude. Short and looped-feeling, it works as a comic or characterful walking cue without overstaying.

Slow-simmering funk with a moody, mysterious edge — tension held inside the groove rather than released. Good for footage where pressure is quietly rising over a few minutes.

A brighter, more optimistic turn within the album's retro soul palette, its title pointing to warmth and new-day openness rather than midnight shadow. Steady drums, bass and rhythm guitar carry a relaxed cool across 3:44.

The longest cue on the set at 5:07, a confident, extended funk-soul groove with plenty of vamp for editors to work with. Its cool, unhurried swagger fits entrances, reveals and anything where a character owns the frame.

Nocturnal funk-soul with a cool, mysterious cast — the kind of loose after-hours groove that implies empty streets and streetlamp glare. Its 3:34 runtime holds one steady mood without escalating.

Sensual retro soul that pairs the album's cool groove with a warmer, romantic centre, tinged with moody mystery. At 3:29 it has room for a slow-burn flirtation or a lingering seduction sequence.

Moodier, more mysterious funk-soul with an emotional undertow beneath the groove — a slinky mid-tempo pocket rather than a party track. Over three minutes it holds a smoky, investigative atmosphere that suits shadowed night interiors.

A brief 1:24 cool-toned funk sketch — groove, bass and drums laid out like a foundation rather than a full arrangement. Its short length and unhurried attitude make it a natural stinger, bumper or bed under narration.

A short, strutting retro funk-soul instrumental built on tight drums, electric bass and rhythm guitar, with the swaggering forward motion its title implies. At 2:44 it stays in one confident groove rather than developing, making it easy to cut against picture.