Spiritual Chants Vol. 1

A concise piece built around the idea of unceasing prayer — continuous chant repetition compressed into under three minutes. Its steady unbroken texture makes it a clean loop-friendly bed for narration or repetitive visual work.

Devotional chant score with a language of surrender and dedication, moving at a patient pace across four and a half minutes. Warm and consonant, it works as an intimate underscore for scenes of faith, vow or reconciliation.

A shorter, more open cue whose title suggests water and threshold: gentle chant over sustained tonal wash, calm and outward-looking. Under four minutes, it works well as an opening or closing gesture rather than a long bed.

Six minutes of veiled, esoteric chant writing — the title points to initiation and secret rite rather than open worship. Harmonically ambiguous and slow-moving, it suits footage that wants unease inside reverence.

Built on a Sanskrit invocation of wholeness, this is a compact three-minute chant cue with a settled, affirming character. Its brevity and clear devotional identity make it easy to drop into a scene that needs cultural specificity without a long commitment.

A ritual chant piece named for a devotional utterance, running over six minutes as sustained repeated vocal invocation. It stays on one plane, making it a strong ambient bed for ceremonial or ethnographic footage.

At nearly nine minutes the album's centrepiece and its most sorrowful: an extended sung lament over slow, unhurried harmonic movement. Long enough to score a full sequence or funeral scene unedited, and heavy enough that it will dominate any dialogue it sits under.

Devotional score with a darker cast — hope shadowed rather than lost — pairing chant-style voice with sombre sustained harmony. Across four and a half minutes it holds ambiguity, neither lifting into consolation nor collapsing into grief.

A brief supplicatory cue under two minutes, the shortest on the album, reading as a plea or a single sung petition. Its compact length suits a precise dramatic beat rather than a long scene bed.

Short and deliberately empty — tagged around a sense of void, it is the album's most abstract piece, sparse chant fragments hanging in space with no clear resolution. Under three minutes and unresolved, it functions as a transition or a moment of existential blank.

The most rhythmic and physical cue on a largely meditative record, its title pointing to ritual fire and movement rather than stillness. Over six minutes it works as a percussive devotional build, chant lines set against pulse, useful where ceremony turns to intensity.

The album's evening-prayer piece: nearly seven minutes of hushed liturgical chant and slow harmonic movement, suited to dusk and quiet. Its length allows a supervisor to sit under an entire scene or narrated chapter without editing.

Cyclical, ritual-feeling chant score whose title points to repetition and return — a looping devotional figure that circles rather than develops. Nearly five minutes of sustained meditative texture with little dynamic disruption, ideal for time-lapse and cyclical imagery.

A long-form devotional score cue built on chant-style vocal writing and sustained tonal beds, warm and intimate as the title suggests. Over five-plus minutes it holds a steady contemplative plane rather than driving to a climax, which makes it usable under long dialogue or narration passages. Suits scenes of tenderness, remembrance or spiritual devotion.