The fastest and shortest cue on the set: 202bpm double-time rock drums, distorted electric guitar riffing and trailer drum hits in D minor, over and out in two minutes. Built for pure flat-out speed rather than a slow build, it hits hard from the top and holds the line.
A 161bpm C minor hybrid metal cue with driving bass, palm-muted guitar distortion and big trailer percussion, running just under three minutes. Slightly more mid-paced than the album's fastest bangers, so it leaves room for edits that need weight and swagger rather than blur.
The heavy slow-grinder of the collection at 95bpm in D minor, leaning on downtuned guitar distortion, thick bass and stomping trailer drums across three minutes. The half-time pace gives the aggression a menacing, deliberate swing that works for slow-motion and intimidation beats.
The longest cue here, three and a half minutes at 181bpm in F minor, pairing sound-design-flavoured hybrid textures with metal guitars and hard trailer percussion. Its length makes it the most usable option when a chase or race sequence needs to run uncut.
A 189bpm C minor aggressive rock banger with distorted guitar, propulsive bass and layered trailer drums, tightly edited at under three minutes. Defiant and relentless, aimed at footage where an athlete pushes past a limit rather than at a slow reveal.