Distorted guitar riffing over a four-on-the-floor kick, handclaps and synth reinforcement at 145 BPM in G minor, the slowest and shortest cue here and the most stomp-driven. Vocal shouts and FX punctuate a steady climb to a full stadium payoff. Best where you need a chant-along groove rather than outright speed.
The fastest cue on the set at 165 BPM in D minor, driving guitars, bass and claps with no synth padding — the rawest, most straight-ahead rock take here. Vocal samples and shouts push a relentless build across three and a half minutes to a big finish.
Mid-pack at 155 BPM in E minor, this one balances the album's stomping claps with heavy guitar and bass distortion for a confident, swaggering strut. Vocal shouts and FX mark the lifts, landing on a decisive stadium-sized close.
The outlier: a trap-leaning electronic banger at 150 BPM in C minor built on trailer drums, distorted synth bass and claps rather than guitars. Vocal chops and FX drive a hard-hitting, cinematic swagger that escalates to a heavy drop-style peak.
Longest cue of the set at 3:23, 160 BPM in B minor, pairing distorted guitar and bass with synth layers for an anthemic, triumphant lift that suits its title. The extra length allows a longer big build with clap-driven stomp sections before the full-band resolve.