The fastest cue on the set at 114bpm, driving distorted electric guitar, bass, handclaps and drums under swaggering male background vocals. Short and punchy at just over two minutes, it stays bright and forward-moving from the top rather than building slowly, making it the most immediately usable for cut-to-the-beat action.
A grittier mid-tempo psych rocker in B minor, built on fuzzed electric guitar, thick bass, claps and drums with chanting male vocal swagger. Its title's growl matches the darker minor tonality; at 2:17 it is one of the longer cuts here, leaving room for a full verse-chorus edit.
Distinguished from its neighbours by piano sitting inside the distorted guitar, bass and clap-driven groove, this 108bpm cut leans slightly more melodic and desert-hazy in keeping with its title. Attitude-heavy male background vocals keep it cocky rather than moody despite the E flat minor centre.
The most brand-friendly cue on the album — it carries a corporate tag alongside the rock and sports genres, suggesting a cleaner, more repeatable riff over distorted guitar, bass, claps and drums. At 110bpm and 2:08 with swagger male vocal hooks, it works as an upbeat bed for product and lifestyle spots.
The slowest and longest cue at 107bpm and 2:21, with organ colouring the distorted guitar, bass, clap and drum groove for a dirtier garage-psych feel. Its heavier swing and darker title suit footage that needs attitude and menace more than sheer speed.