31 cues
Warm and settled at 80bpm in B flat, with flute and ethnic strings over pads, hand chimes, bells and distant horns, and jaw harp adding rustic colour. The major key and slow pulse make it the calmest, most welcoming cue on the record — village life, arrival, shared understanding.
At 3:11 the longest cue on the album, a gently rolling B minor bed at 90 BPM where piano notes float over continuous drone and pad texture, matching the water imagery of the title. Its length makes it the practical choice for long-form narration or extended massage and meditation content. Fits spa and wellness visuals, underwater or coastline footage, and slow-motion nature photography.
A calm 95bpm ambient world bed in C major built on synth drones, warm pads and soft xylophone, with ocarina and whistle carrying the airy melodic line and gentle risers lifting the middle. At 4:30 it gives a documentary editor a long, stable runway for wide landscape or canopy footage without ever crowding narration.
Despite the fast 130bpm grid this stays tranquil, layering marimba and choir over pads, drone and light percussion in F minor. The world-tinged texture gives it a wide, exploratory feel suited to landscape and nature imagery.
The fullest arrangement on the album and one of the longest at 3:52: male and female chant over drone, santoor, ney, chimes, electric guitar and a programmed beat with live drums. It builds from atmospheric mystery into a grounded rhythmic groove, giving an editor room for a long-form montage rather than a static bed.
Eurorack textures in B major with piano touches placed inside the synth haze, the longest-breathing of the album's brighter cues at 4:27. Ethereal and reflective without building to any peak, good for slow reveals of reef, sky or laboratory imagery under voiceover.
A warm, unhurried downtempo bed in F minor where sustained drones and pads sit under soft shaker and rattle percussion, with a breathy flute line drifting on top. The pulse is gentle and steady rather than driving, holding one calm plateau for its full three and a half minutes. Suits wellness and spa visuals, sunrise nature photography, or a reflective travel sequence needing air for narration.
Piano over drone and synth at a steady 96 BPM in B flat, with a room-number title that suggests something interior and slightly clinical rather than scenic. Neutral throughout its 2:35 and easy to loop or trim under dialogue. Suits a hospital or hotel interior scene, a true-crime reconstruction beat, or a quiet lab sequence.
At 86bpm in A this is one of the more forward-moving beds, adding koto to the drone and pad foundation for an East Asian colour over high-altitude imagery. The shortest track here at 2:36, it keeps a calm, meditative surface while implying ascent and discovery.
Slow 76bpm D-major bed of reverbed electric guitar with bass, piano and cello, and the shortest cue here at 2:41. The title implies a remembered conversation — intimate, sad-edged and conversational in pace, leaving room above the guitar for narration. Good for interview segments and quiet character beats.
Short E flat minor piano miniature at 110, its Vermont sugaring-season title pointing to something rural, weathered and quietly grieving. Warm felt tone and a tight 1:46 runtime make it useful as a tucked-under bed rather than a feature cue.
The slowest track at 70 BPM in B minor: broad pads and sustained bass under an almost incidental beat, with ney and flute drifting across the top. Nearly static and very spacious — a natural underscore for narration, deep-relaxation content or a lingering wide landscape shot.
The fastest cue on the album at 131bpm, driving E minor beats under flute, guitar and pads, with a mysterious and emotional edge rather than a party lift. Momentum plus ethnic colour makes it a strong montage engine. Fits action-travel, off-road and expedition footage.
The only cue in B flat minor, at 80bpm, with cello, violin, piano, drone and a soft beat — the darker key gives the emotional writing a heavier, more ambivalent colour. The title points at a return that isn't purely happy, which fits reunion footage carrying history. Use for a veteran's homecoming, a return to a childhood home, or a documentary epilogue.
Generative modular synth patterns drift over a soft sub bass in D major, with no percussion and no fixed tempo — the pulse comes from slow filter and sequencer movement. Warm and untroubled throughout, it suits underwater camera work, macro nature imagery and calm medical or wellness narration.
D flat major gives this a warmer, slightly nostalgic tint, with piano and synth floating over drone at a walking 108 BPM. The title points at colour and light, making it a natural for saturated sunrise or bloom timelapse. Also useful for a photography brand piece or an art-and-design segment.
Delayed electric guitar over bass, piano and cello, moving at a brisk 128bpm pulse that reads as gentle forward motion rather than drive. The title and D-major setting point to a closing, resolved feeling — a farewell that lands warmly. Suits final-scene montages and end-credit sequences where a story ties off.
The most ambient cue here: soft pads under bells and flute in Gm at a slow-feeling 92bpm, more meditative than menacing. Over two and a half minutes it holds a still, haunted atmosphere without building, suiting aftermath scenes and reflective voiceover.
Sustained pads and a low drone hold a neutral, weightless base while simple piano figures and soft strings drift over a light pulse. The most detached and observational cue on the set — calm but with a searching, investigative edge rather than warmth, making it useful under narration about space, science or the unknown.
A 111 BPM groove in B flat minor built on drone, pad and light percussion with flute and processed vocal textures floating above the beat. Faster than the meditative cues but still hazy and unresolved in feel, it suits sequences about time, memory and shifting perspective. Good for time-lapse edits, science-of-time features and abstract title beds.
An ambient meditation piece pairing tabla and hand percussion with piano, flute and airy vocal samples over a sustained drone. At 105 BPM it is calm and inward rather than tense, the most tranquil corner of this collection. Suits yoga and wellness content, star-gazing or ancient-civilisation sequences and meditative narration beds.
A mid-tempo downtempo groove in F minor built on a soft electronic beat and warm bass, with ney and flute lines and bell accents floating over the top and wordless female vocal samples adding a devotional colour. Gentle and unhurried rather than driving — suits spa and wellness footage, slow travel imagery of temples and markets, or a meditative voiceover segment.
G minor solo felt piano at a funereal 84, and at 2:38 the longest and most openly mournful cue on the album. Slow, weighted phrases with the hammer noise softened almost to breath, leaving generous space for narration or dialogue over a scene of bad news.
73bpm in G, drumless, with ambient electric guitar layered over bass, synth pad and strings across a patient 3:12. The title's fresh-start theme lands as a slow bloom from moody stillness toward warmth. Good for chapter-opening scenes and quiet renewal footage.