Lofi Jams

E flat minor lofi at a more relaxed 130 BPM, with piano, muted electric guitar, soft vocal texture and a rounded beat carrying a calm-but-sad steadiness that matches the title's sense of untroubled stillness. Works for meditation and wellbeing content, rain-on-window shots, and reflective interior scenes.

The most textured track on the set, adding acoustic guitar, wordless vocal colour and a whistled line to the piano, guitar and lofi beat; B flat gives it a warm, faintly nostalgic cast. The longest-feeling and most home-movie-like cue, built for old tape footage, childhood retrospectives and memory-driven documentary passages.

A short, sunny 90bpm groove in F# with electric guitar, electric piano, piano, claps and rounded bass — essentially the warm, guitar-led counterpart to the synthier track at the same tempo. Soulful and easygoing across 2:47, it lands cleanly and never builds to a peak.

83 BPM G minor lofi beat where a crisp snare anchors an otherwise soft, jazzy bed. Contemplative and restrained across 2:44, holding a mood rather than developing one.

A laid-back downtempo hip-hop instrumental built on smoky beats and a cool, sultry groove, running a full three and a half minutes for easy editing. The title's street imagery suits urban footage — night streets, block-level documentary — and the loose, unhurried pulse keeps it under narration.

A slow 83bpm lo-fi head-nodder in D# with dusty drums, deep bass, muted horns and scattered vocal samples. Relaxed and roomy, it suits travel-day footage, airport departures and anything narrated.

At 100 BPM this is one of the album's slowest and most spacious tracks, with electric guitar and treated vocal samples floating over a mellow beat, piano and bass in C. Green, nature-facing and unhurried — ideal for forest walks and slow-motion outdoor footage.

An 80bpm old-school hip hop groove in D# with warm Rhodes chords, soft electric guitar licks and a rounded bass under a laid-back drum loop. The mood is dusk-lit and unhurried rather than dramatic, holding one relaxed pocket throughout.

Relaxed 82 BPM lofi hip hop in A major built on a warm rounded bass line and unhurried swung drums. Bright-leaning and easygoing across its three minutes, it loops as background rather than pushing a melodic hook.

Mid-tempo at 118 BPM in F, with electric guitar and chopped vocal samples drifting across the dusty beat, piano and bass rather than a full sung lead. Gentle and slightly whimsical, it works as an unobtrusive bed under narration or interview.

Logged at 135bpm in G but sitting in a chilled lo-fi half-time feel, with horns and strings floating over a dusty beat and bass. Warm and easygoing, it fits feel-good day-in-the-life cuts and mellow product reveals.

A slow 70bpm trip hop cue in A major built on a lazy beat, guitar figures, drone and choral/female vocal textures that lend it a cold, half-human warmth. It builds from somber reflection toward something hopeful, suiting end-credit or slow-motion resolution.

A rhythm-forward, playfully repetitive beat, the title suggesting back-and-forth turntable movement and a swaggering groove. Its three-and-a-half-minute length and steady cool make it a natural for skate, streetwear or sports edits.

The album's title cue and its brightest, busiest groove: 115bpm lo-fi hip hop in B with electric guitar figures, Rhodes and Hammond-flavoured keys, upright-feel bass, claps and a dusty beat. Warm and sociable rather than melancholy, it sits in a steady pocket for its full three and a half minutes with room for talking over the top.

Instrumental downtempo trip hop at 84bpm in D minor, stripped back to beat, synth and sustained drone with no vocal lead, leaving wide space over the top. Haunting and cold at the outset, it gathers gradually into a hopeful, cinematic lift.

A hazy, introspective downtempo groove with a cool, slightly hypnotic feel implied by its title. Three minutes of steady beat and atmosphere make it useful for reflective interview footage or a memory-flashback sequence.

The fastest of the instrumental beds at 107bpm in C minor, pairing an insistent trip hop beat with cold pads and drone for a sense of forward motion and pursuit. Investigative and unsettled rather than uplifting, it leans toward crime drama and surveillance footage.

The album's brightest tempo at 120bpm, pairing a chill house-leaning beat in G minor with muted trumpet lines and jazz piano. Sexier and more forward-moving than its neighbours, with a swagger suited to street footage and confident entrances.

A light, buoyant downtempo groove whose title suggests weightlessness rather than street grit. Two minutes of easy beat and airy atmosphere for feel-good lifestyle footage or a confident walk-and-talk.

The longest cue here at 3:24, an 80 BPM A flat minor lofi beat driven by a repeating dusty drum loop. The minor key gives it a reflective, slightly wistful cast under an otherwise smooth jazzy surface.

A relaxed 100 BPM instrumental in G with clean electric guitar figures over lofi beat, piano, bass and synth haze, no lead vocal to compete with dialogue. Golden-hour and water-facing, built for calm end-of-day footage.

A 65bpm instrumental in E flat, one of the two slowest and darkest pieces here, with a heavy trip hop beat under cold pads and drone. There's no hopeful turn — it stays haunted and claustrophobic, ideal for scenes of doubt or doubling.

A 90bpm G minor beat with organ pads and a saxophone line carrying the melody over rolling bass. Sensual and easy, the sax gives it more of a lead voice than the Rhodes-based tracks around it.

The darkest and slowest track here: 81bpm in B flat minor, pared back to just a heavy lo-fi beat and bass with a film-score edge. Its minimalism and menace make it the obvious pick for tense narration or a slow-burn reveal.

The saddest and slowest piece on the record: 76bpm in E flat, piano over soft synth pads, subdued bass and a laid-back beat. Moody, somber and wintry, it works as a reflective interlude and is the shortest cue here at 2:45.

A 115 BPM lofi instrumental in C where electric guitar and vocal samples sit over warm bass, piano and a soft beat. The tone is tender and spring-like — new beginnings and young affection — with enough space in the mix for voiceover.

An 80 BPM lofi jazz groove in F where washed cymbal crashes accent a soft, mellow pocket. Steady and non-dramatic, its 2:54 sits comfortably under narration or dialogue.