42 cues
The brightest cue on the set: a 100bpm break-beat groove in major-key G# with piano and keys over warm strings and vocal colour, no rap lead. Sunny, feel-good and steady rather than aggressive, it works as an upbeat bed with plenty of midrange room.
The most classically old-school entry: 94bpm in Dm, the slowest and shortest cue here, with brass and horns, strings, female vocals, shouts, crowd and scratching over a head-nod beat. Its relaxed tempo gives edits more room to breathe while keeping the album's hyped attitude.
The album's title cue and its fastest, hardest track — 164 BPM in A minor with driving drums, distorted bass and glitched female vocal fragments over bright synths. Tight 2:20 length and relentless tempo make it the obvious choice when the picture needs urgency rather than cool.
A relaxed 120bpm chillstep-future bass hybrid in D minor, built from piano, warm pads, light percussion layers and chopped vocal samples over a mid-weight beat. Playful and unhurried rather than aggressive, which leaves room for narration across the verses.
Mid-tempo 110 BPM E minor electronic pop cue with piano, guitar, keys, pads and strings over a four-on-the-floor kick. Its moody minor tonality keeps the hope measured rather than exuberant, making it useful for science, medical and technology narratives.
85bpm in F minor, the only cue in this key, giving a slightly warmer, more melancholy cast to the drone, synth and sparse beat. Without the darker mood tags it leans somber and drifting rather than threatening — good for aftermath, travel at night, or a character with nowhere to go.
Brisk 120bpm corporate electronic cue in D flat, built on a steady programmed beat, round synth bass and layered synth pads with chopped vocal samples as a hook. The short two-minute length makes it an efficient bed for product explainers and tech or medical brand films, staying bright and forward-moving throughout.
Piano-led and the shortest cue here at 1:39, running fast at 140bpm in B minor with a relaxed, sultry feel against the beat. Emotional but poised, aimed at high-end summer imagery — rooftops, poolside, evening city light. Its brevity makes it a clean fit for a 60- or 90-second edit.
The title track, 128bpm in G minor, leaning corporate and scientific: strings and brass layered against synth bass and a programmed beat. The most narrative and least club-facing of the up-tempo cues, built for footage about discovery and innovation.
Mallets and vibraphone over a low drone at a steady 120bpm in F major, the brightest key among the moodier underscores so the mystery reads as curious rather than cold. A dependable neutral bed for narration-heavy factual sequences that need forward pulse.
The one track on the album filed as electronic: A minor piano and strings over drone, with synth and a pulsing beat pushing it toward a downtempo electronic feel at a relaxed 118. Cold and dreamlike but with a clear rhythmic spine, it suits footage that needs both introspection and momentum.
A lean 89bpm instrumental in F# minor with electric guitar over synth bass and drum-machine groove, and no arpeggio layer — more rock-tinged and physical than its neighbours. Three minutes of steady forward push with no emotional softening.
A mid-tempo future bass cue at 108 BPM in G flat minor, built on chopped female vocal samples, sub-heavy bass and synth pads, with brass stabs adding weight to the drops. The 108 BPM pocket gives it a slower, sultrier swagger than the rest of the album, and the near-three-minute runtime leaves room for a full build and payoff. Fits luxury car interiors, high-end fashion films and slow-motion product reveals.
The darkest and slowest track here: 81bpm in B flat minor, pared back to just a heavy lo-fi beat and bass with a film-score edge. Its minimalism and menace make it the obvious pick for tense narration or a slow-burn reveal.
The album's hardest-hitting statement piece: trap-leaning future bass at 145bpm in F minor, with piano figures cutting through pitched vocal chops, wide synth pads and a heavy sub-bass beat. Confident and fashion-forward rather than emotional, it suits fast-cut reveal edits and ends inside a tight two-minute cutdown.
Mid-tempo indie synthpop at 116 BPM in E flat, pairing piano and warm synth pads with bass, kit drums and a male vocal that turns the track optimistic and open-skied as it develops. At just over three minutes it has room for a proper ambient intro and an uplifting final section. Suits sunrise and horizon footage, corporate hope pieces, and romantic road-trip sequences.
The outlier on the record: synth arpeggios, beat and strings instead of solo piano, at 85 BPM in A minor with an investigative, technological feel. Pulsing and pattern-driven rather than melodic, it sits comfortably under dialogue or data visuals.
The fastest cut on the album at 148bpm in D#, a feel-good future bass and chillstep hybrid with punchy beat, drums, arpeggios, piano and guitar. Funky and fun throughout rather than slow-building, made for arrival moments, vacation reels and snowboard or surf highlight edits.
Future bass with a chillstep edge at 140 BPM in D, leaning on wide synth chords, sub-heavy bass and a half-time-feeling beat rather than percussion detail. The most introspective and least vocal-driven cue here, glossy but slightly wistful. Good for slow-motion water footage, sneaker product reveals or a reflective beat in a youth-focused piece.
The slowest cue here at 91 BPM in B minor, a chilled future bass groove with electric guitar, atmospheric synths and live-feel percussion instead of brass. Moody and sleek with a gradual brightening implied by the title, it works as a downtempo breather between the album's faster sports cuts.
At 115bpm in major-key A this is the most relaxed and upbeat of the luxury-leaning cues, with synths, bass and vocal chops sitting in a wide pocket. The longest of the mid-section tracks at 2:26, giving room for a two-part edit or a narrated sequence. Positive and glossy — suits youth-facing brand content.
Driving 120bpm corporate electronica in C with a propulsive beat, synth bass and vocal sample hooks, held to a compact 2:03. The neutral, open key and persistent forward pulse make it a dependable bed for innovation and technology narration.
The shortest cue on the album at just over two minutes, 105bpm in C, with guitar and synth adding warmth and texture to the mallet, vibraphone and drone core. Intimate and open-ended, useful for a short-form edit, a closing reflection or a quiet transition between chapters.
The outlier: a beatless ambient underscore of synth and pad only, in bright F major, with no drums or vocal elements at all. Despite the 160bpm marking it feels suspended and calm, designed for slow-motion, timelapse and nature footage and for sitting far under dialogue or voiceover.
An Asian-tinged corporate cue at a brisk 146 BPM, with flute and strings threading over synth, piano, percussion and drums. B flat gives it a clean, bright optimism suited to arrival sequences, city timelapse and technology or medical footage.
The slowest and most delicate track here at 86bpm, with harp figures and strings floating over soft pads and an unhurried beat in D minor. Gentle and pastoral, ideal for organic natural-world footage and quiet reflection.
Fast 126 BPM G minor news-and-brand cue with urgent piano, guitar, bells and strings over a punchy four-on-the-floor kick and bass. Energised and exciting with a moody undertow, and its 2:16 length fits broadcast promo and title-sequence timings.
An E minor piece at a measured 118, distinguished from the rest of the album by added noise textures sitting alongside the piano, drone and strings. It stays cold and suspended, the beat pulsing rather than resolving, with processed grit giving it an unsettled edge.
The longest cue on the record at 2:39, leaning future bass: 115bpm in major-key G# with layered synths, extra percussion detail and processed vocal samples. Slick and unhurried, built for polished urban imagery and long-form edits that need a single unbroken groove. Ends the sequence of luxury cues on its most electronic footing.
The album's title cue and its longest, running just under three minutes at 108bpm in E flat minor: mallets and vibraphone circling over a low drone with sparse piano, light percussion and small sound-design details. Somber and haunted rather than dark, with enough room to sit under narration for a full documentary sequence.
Bright four-on-the-floor club house at 126 BPM in A flat, built from stacked synths, tight percussion and chopped vocal samples over a driving bass. It stays sunny and uncomplicated across two and a half minutes, arriving at a clear peak rather than sitting in a bed. Cut it to rooftop party footage, festival crowds or a summer fashion spot.
Chillstep-leaning and the most playful of the 120bpm inspirational cues, in A, with piano, pads, arpeggios, layered percussion, drums and guitar. Lighter and more buoyant than its title-track sibling, suiting warm lifestyle imagery, water and summer footage.
The most feel-good cue here: a 120bpm A minor house groove with 4/4 kick, claps, piano and strings giving it warmth rather than menace. Positive and slightly sultry, suited to lifestyle footage more than hard sport.
Fast, glossy future bass at 154 BPM in E flat minor, with processed female vocal hooks, punchy programmed drums and saw-lead synths. Slightly darker in key than the title track but similarly compact at 2:21, so it works as an alternate high-energy option in the same edit.
A cooler, half-time-feeling future bass cue at 160 BPM in major-key G, pairing clean electric guitar figures with wide synth pads, brass stabs and a crisp programmed beat. Chillstep-leaning and glossy rather than aggressive, it suits luxury and fashion imagery where the groove needs to stay laid-back.
Despite the title, this sits at a restrained 78 BPM in B minor — momentum here comes from the string writing and pulsing piano rather than tempo. Elegant and slightly overcast, building patiently across a compact two and a half minutes. Works under sport recovery stories or brand films about persistence.
House-leaning chill cue at 122bpm in C# minor, with a deep four-on-the-floor pulse, airy pads, distant vocal samples and a moody low end. Nearly four minutes of after-hours atmosphere — sultry and mysterious without ever peaking hard.
Club-facing EDM house at 124 BPM whose F minor centre gives the glamour a slightly moodier tint than its major-key neighbours, with 4/4 kick, layered synths and vocal chops. Confident and forward-moving over 2:34, resolving on a full-band chorus feel. Suits night-time city driving, cosmetics campaigns and dancefloor sequences.