26 cues
A brisk chamber reading of the carol at 108 BPM in C, scored for live violins, cello, grand piano, light percussion and sleigh-style bells. Bright and squarely festive from the first bar, with a clean modern mix that keeps the tune front and centre and lands on a firm final cadence.
A brisk 138 BPM holiday-tinged folk-pop in C with acoustic guitar, piano, strings, sleigh bells, bass and drums and a sweet romantic vocal. The sleigh bells and title point to a Christmas love song, warm and celebratory, good for seasonal retail or a homecoming reunion.
A compact two-minute orchestral cue at 120bpm in G, sleigh bells with strings, brass and orchestral drums in a warm, magical lift. Its short form and uplifting shape suit a storybook or family-gathering moment that needs to land quickly.
A playful 140 BPM Christmas number in C built on ukulele, piano, glockenspiel, bass and drums with a singalong vocal. Light, comic and family-friendly rather than solemn, ideal for holiday advertising and children's seasonal content.
The fastest of the funky cues at 137bpm in F minor, with synth, piano, bass and vocal samples pushing a double-time hip hop pulse; it is also tagged for holiday and Christmas use, so the piano figure carries seasonal connotation. Playful and quick, it works where a festive track needs street attitude.
Warm, uplifting arrangement in A at 106 BPM, with violin carrying the melody over cello, piano and bells. The shortest of the up-tempo carols here at 2:38, it stays cheerful and even-keeled throughout and closes cleanly rather than building to a peak.
The tender centrepiece: 103 BPM in D with a baroque-leaning chamber treatment, solo violin and cello over sparse grand piano. Heartfelt and slightly somber, holding a reverent stillness rather than growing, and it settles to a quiet close.
The only major-key cue on the album: C major at 140 BPM, regal strings, brass, woodwinds, choir and orchestral drums building to a bright royal fanfare. Its holiday tagging makes it equally usable for festive and coronation-scale imagery.
A brisk 120bpm E flat take on the door-to-door carol, built on ragtime piano, clarinet, ukulele and nylon guitar with upright bass and sleigh bells keeping a light two-beat pulse. Its longest running time on the fast side of the album gives room for a warmer, more romantic middle before the tune bounces back for a clean finish.
The most triumphant of the mid-tempo set: 112 BPM in D, with strings and piano driving a broad, celebratory statement of the hymn and bells reinforcing the downbeats. Confident and forward-moving, well suited to a reveal or a payoff moment.
Fast holiday pop/rock at 130bpm in F, electric guitar, bass, drums and sleigh bells driving a cheerful uptempo groove. Slightly harder-edged than the album's other rock cue and good for youthful, high-spirited holiday footage.
The slowest track on the album at 88 BPM in D, and the only non-standard title — a warm, playful yet romantic chamber miniature for violin, cello and grand piano. Intimate and gently joyful, with plenty of air in the arrangement.
A New Orleans-style read of the New Year's standard at a strolling 108bpm in F, with barrelhouse piano, clarinet and a full brass front line of trumpet, trombone and tuba over upright bass and sleigh bells. It moves from a relaxed jazz-band saunter to a warm collective chorus that lands squarely for a countdown or last-call toast.
At 128 BPM in C this is the quickest of the sentimental group, pairing a heartfelt, slightly wistful melodic line with a light forward pulse from piano, cello and bells. Magical rather than boisterous — good for wonder and anticipation shots.
Longest cue at 3:10, marked 162 BPM in G, giving the hymn a flowing, fast-subdivided chamber treatment that stays emotional and slightly moody rather than brassy. Violin, cello and piano with bells; the extended length allows a full arc from hushed opening to fuller statement.
The most relaxed of the album's brass-led arrangements, sitting at 84bpm in F with saxophone and trumpet trading the hymn melody over dusty piano, ukulele, nylon guitar, tuba and shuffling drums. Cheerful but unhurried, it works as a wide-smile background bed that still resolves on a proper band cadence.
148 BPM in G, a lilting and rather wistful reading of the Gloria carol for violin, cello, piano and bells — moving quickly but emotionally restrained rather than celebratory. Its magical, lullaby-like character suits night-time and snowfall imagery.
The most familiar carol on the record played as a quirky 110bpm ragtime in C, with old upright piano, clarinet, tuba and ukulele over walking bass and sleigh bells. Short and unrelentingly cheerful, it opens with the hook and holds a steady toe-tapping groove to a tidy button ending.
A lesser-known traditional carol given a gentle, folk-tinged chamber arrangement at 107 BPM in G, with violin lead, cello and piano. Cheerful and unhurried, its unfamiliarity makes it useful where the obvious carols would feel too on-the-nose.
A 125bpm carol in A that adds electric guitar to the usual nylon guitar, ukulele, trumpet, piano and upright bass, giving it a slightly grittier vintage-band edge than its neighbours. Confident and marching in feel, it runs long enough for a solo turn before a full-band close.
A bright 130bpm orchestral holiday fanfare in E, built on strings, brass, piano and sleigh bells over a driving drum pulse. Adventurous and declarative rather than sentimental, it suits a big seasonal reveal or the opening title of a family holiday feature.