Like A Lady

Title cut of the set: an 85bpm trap groove in C minor with knocking programmed drums, deep sub bass and retro-leaning synths under a female rap vocal. Struts rather than sprints, and at under two minutes it works as a self-contained attitude piece for fashion and lifestyle edits.

Faster and blunter than the rest — 115bpm in D minor, the shortest cue here, with tight trap drums, driving bass and synth stabs behind a confrontational female rap. Good for a quick, no-nonsense cut where the vocal is the hook.

The soft centre of the album: 85bpm in F minor, leaning R&B rather than party trap, with laid-back beat, warm bass, mellow synth pads and a more reflective female vocal. Longest track on the set, giving room for an introspective, uplifting arc suited to personal-story footage.

The most kinetic cue at 136bpm in B flat minor, and the only one with brass punching through over the beat, bass and synths alongside the female rap. Bright, summery and playful — built for peak-energy party and poolside visuals.

A cocky mid-tempo strut at 107bpm in A minor, with hard beat, thick bass and 80s-tinted synths under a sassy female rap. Sits between the slow swagger and the fast party tracks, useful when you need confidence without frenzy.