Baritone Saxophone

Unaccompanied baritone saxophone in F minor, played with a brisk, bop-flavoured swagger across a compact two minutes. The minor key and short runtime give it a wiry, restless jazz-club feel rather than a romantic one, ideal for a quick scene-setter.

Solo baritone sax in C with a cool, unhurried phrasing and no accompaniment, running just under three minutes. The bright key keeps it easygoing rather than melancholy, suited to a relaxed after-hours street scene.

A bossa-tinged solo baritone sax line in G, chilled and romantic in phrasing, with the Brazilian reference in the title guiding the lilt. Warm and unaccompanied, it works where you want intimacy without a band underneath.

A somber, moody solo baritone in A flat, nodding to bebop lineage in the title but leaning sad and inward rather than showy. Single-horn exposure makes every breath audible, good for a reflective, lonely beat.

The most driving cue on the set: solo baritone sax in B flat pushing a hard-swinging line for over two and a half minutes. No rhythm section, so the swing comes entirely from the horn's attack — useful when you need forward motion with a single voice.

Cool, bluesy solo baritone sax in C, patient and conversational across two and a half minutes. Shares the same unaccompanied setup as its neighbours; the title points it toward heartache played casually rather than dramatically.

Latin-leaning solo baritone sax in B flat minor with a Havana flavour in its phrasing, cool and shadowed by the minor key. Unaccompanied throughout, giving it a smoky, single-voice intimacy.

The experimental end of the album: solo baritone sax in E flat with avant-garde, free-leaning phrasing that stays moody and unresolved. Sparse and exposed, it reads as atmosphere more than melody.

A tribute-titled solo baritone workout in G flat, cool-toned and the shortest of the swinging cues at just over two minutes. Unaccompanied horn with modal, exploratory phrasing implied by the Coltrane nod.

Solo baritone sax in B flat minor, moody and avant-garde in approach, sitting close to the album's experimental corner. Long tones and open space over two and a half minutes keep it atmospheric rather than tuneful.

A brief, warm solo baritone sax in E flat, chilled and romantic, the shortest cue here at almost exactly two minutes. Its brevity and easy swing make it a natural drop-in for a short-form spot.

The softest cue on the record: solo baritone sax in D flat playing a lullaby-like line that's tender and touched with sadness. Unaccompanied and slow-breathing, it suits quiet, affectionate footage or a bittersweet fade-out.