The most cartoonish corner of this Western-hip hop mashup: a 97bpm old school breakbeat and fat bass under twangy electric guitar, jaw harp boing, harmonica and wordless oohs and ahhs. Minor-key C#m swagger played for comedy rather than menace, and at 3:20 it's the longest cue here, with room to cut a whole sequence.
A cooler, straighter take on the same 97bpm formula — programmed beat, claps, bass, synth and surf-tinged electric guitar in G#m, leaning confident rather than comic. Its title nods to spaghetti Western scene-setting, and the tidy 3:00 length suits a full-length edit.
The title cue: 97bpm hip hop drums and bass with congas and percussion pushing it toward a Latin-Western groove, topped by twangy guitar and synth stabs in bright C major. At 2:22 it's a compact, punchy option with the most rhythmic bite on the album.
Shares the beat-claps-bass-synth-guitar setup with the other cool-leaning cuts but sits in major-key E, giving it the sunniest, most relaxed swagger of the set. Just under three minutes of steady 97bpm groove that suits sunlit border-town or desert imagery.
The shortest and most overtly comic cut: mandolin, whistling and hand percussion over the 97bpm old school beat and bass, with electric guitar twang and a minor-key A#m saloon strut. Two minutes flat makes it a natural quick-hit bumper or sting bed.