The album's slowest, widest cue: 70bpm in B flat, with pads, sustained strings, cello and soft piano joined by wordless vocal samples that give it an underwater, weightless quality. It drifts rather than drives, holding a single reflective mood across two and a half minutes with brass swelling gently underneath. Suits deep-ocean footage, ice fields, or a narrated passage about memory and loss.
A mid-tempo 100bpm piece in G major, brighter and more forward-moving than the slower cues here, with pads and synth underpinning piano, strings and cello. The major key keeps it hopeful and open rather than mournful, good for footage of light returning or migration.
At 119bpm in D minor this is one of the album's more urgent, darker underscores, and the shortest at under two minutes — pads, synth, strings and brass without cello, so the low end feels tighter and more anxious. The title's sense of a lost paradise fits deforestation, coral bleaching or drought footage.
120bpm in F minor with pads, synth, strings, cello and bells, the bells giving this one a glassy, chiming top layer the other minor-key cues lack. Weighty and slightly ominous, with brass carrying the seriousness suggested by the title.
A slow 73bpm cue in A minor built from pads, synth, strings, piano and brass, without cello — sparse and exhaled rather than dense. The minor key leans melancholy while the tempo keeps it calm, useful for a moment of pause after a difficult sequence.
120bpm in A major with an arpeggio pattern threading through pads, synth, strings, cello and piano, making this the most propulsive and optimistic cue on the album. The steady pulse and major key suit forward motion — migration, flight, or a hopeful conclusion.
The most restrained cue here: 100bpm in B flat with only pads, brass, strings and piano, and no synth, cello or arpeggio to thicken it. Its tag set also drops the overtly emotional descriptors, leaving a calm, still atmosphere that sits easily under heavy narration.
98bpm in D major, short at under two minutes, with an arpeggio figure moving beneath pads, synth, strings, cello and piano. Bright and shimmering in keeping with its title, best for bioluminescence, dawn light or a quick uplifting turn.
A slow, sombre 75bpm cue in C sharp minor using only pads, brass, strings and piano, so the texture stays thin and exposed. The elegiac title and minor key point at endings — vanishing grassland, an abandoned farm, the last of a species.
The longest track on the album at 2:33, a slow 72bpm piece in C minor with pads, synth, strings, cello, piano and brass. The extra length gives it room to grow from stillness into something fuller, making it the natural choice for a long-held night-sky or polar sequence.