The Witch

The longest and most exposed cue on the set, a slow 60bpm C minor crawl built from scraped and screeching strings, sparse percussion hits and raw sound design. It never settles into melody, holding a wide unresolved dread that suits long-form suspense rather than a single jump.

The most rhythmic and aggressive piece here: 90bpm in C minor with tribal percussion, chanted vocal samples and abrasive string scrapes pushing a pagan, Viking-ritual feel. Drives forward hard and works as a sacrifice or battle-rite bed.

A queasy 65bpm C minor crawl combining string screeches, scrapes and treated vocal samples with body-horror sound design. Nearly three minutes of unresolved unease, closer to texture than theme.

Slow 60bpm C minor dread with no vocal element — just strings, scrapes, screeches and percussive sound design working a claustrophobic, subterranean feel that the title implies. Sits low and dark enough to speak over.

At 70bpm in C minor this one adds piano to the scraped strings and sound design, giving a sparse, lurid glow to an otherwise abrasive horror bed. The piano offers a fragile melodic thread against the noise, useful when a scene needs a hint of tragedy under the terror.

A 60bpm C minor build where flute and processed vocal samples cut through scraping strings and percussion, lending a ritualistic, breathing quality. The title's sense of forward impulse fits footage of something slowly gathering momentum.

The only G minor cue at 90bpm, pairing tribal percussion with flute and abrasive string scrapes for an overtly ceremonial horror pulse. Steady and driving, it works as a ritual-in-progress bed rather than a static tension pad.

80bpm in E minor with treated vocal samples over scraped strings and percussion, tagged explicitly for witchcraft and pagan transformation. Mid-tempo and unsettled, built for the moment a body or identity changes.

A 76bpm G minor prowl with vocal samples ghosting through screeching strings, scrapes and percussive sound design. Nocturnal and predatory, it stays at a menacing simmer without releasing.

The album's title-adjacent cue, 80bpm in A minor and the brightest key here, using strings, percussion, screeches and scrapes without vocal elements. A lean, folk-horror tension bed that holds its menace to the end rather than resolving.