Washwasha

A 140bpm trap cue in F that pairs oud riffs and darbuka/dumbek hand percussion with hard 808 beats, claps and siren stabs. Bright major tonality keeps it swaggering rather than menacing, and the vocal chops and string lines push a confident street-fashion strut across its 2:36.

The title track sits lower at 120bpm in G minor and is the most orchestral cue here, layering qanun, ney, saz and Arabic string sections over trap beats and claps. The slower tempo gives it a swaying, almost cinematic-comic swagger — big gesture music rather than pure aggression.

Darker and more devotional in tone, this 140bpm C minor track sets wailing ney and zorna leads against oud, strings and heavy trap percussion. Intense and aggressive throughout, it works where the picture needs threat and religiosity in the same breath.

At 110bpm in F# minor this is the slowest and heaviest-swinging cue on the album, letting the zorna and ney leads snarl over sparse 808 trap beats, oud and darbuka. The half-time feel gives 2:46 of menacing, shoulder-rolling groove.

A stripped-back 133bpm E minor club cue built on beat, synth, oud and hand percussion with clap accents and vocal FX — no melodic wind or string layers, so the groove leads. Seductive rather than aggressive, and the leaner arrangement leaves usable room under narration.

The fastest cue at 160bpm in F minor, driving oud and saz lines over double-time trap percussion, claps and vocal shouts. Relentless and athletic across 2:31, built for cuts that need constant forward pressure.

A 130bpm cue in A major, the brightest key on the record, with saz and ney melodies floating over trap beats, oud and darbuka. Playful and seductive rather than hard-edged, running a comfortable 2:46 for longer visual sequences.

At 155bpm in G minor this is a hard, purely instrumental-driven attack — zorna and saz over trap drums, oud, strings and claps with no vocal samples. Aggressive and energised from the top, suited to competition and combat footage.

The fullest arrangement here: 135bpm in B minor with horns, Arabic strings, qanun, ney and saz stacked over trap percussion and claps. Big, brash and confident across 2:43 — closest thing on the album to an ensemble showpiece.

A 130bpm G minor groove that adds brass punctuation to ney, saz and oud lines over trap beats, darbuka and claps. Seductive and mid-weight rather than combative, it holds a steady club sway through 2:37.