A short G minor piano interlude with strings, cello and a faint synth underlay, kept intimate and reflective despite the 120bpm pulse. Its brevity and sparse melodic writing make it a connective passage rather than a full cue — a breath between scenes.
D minor neoclassical cue where piano, strings and cello sit over percussion and kit, giving the melancholy palette a light rhythmic lift the other pieces lack. Longest of the somber group, with room to develop from introspective to gently moving.
The title track and the outlier: 160bpm in C major with piano, strings, bass, drums, congas and percussion, trading the album's sadness for something wondrous, sophisticated and faintly strange. Nearly four minutes of driving forward motion suited to sustained visual sequences.
A spare A minor piece for piano, strings and synth, the coldest and most withdrawn of the reflective cues at just over two minutes. Its thin instrumentation and unhurried melodic phrasing leave plenty of headroom for narration.
At 60bpm in G minor this is the album's slowest and most unsettling cue, with strings, piano, synth and percussion pushed toward mysterious, avant-garde territory rather than the elegiac tone of its neighbours. Percussive pulse implied by the title supports slow-burn tension.