Mid-tempo 90s-styled hip hop in G minor with a fat programmed beat, rolling bass, clean electric guitar licks and a saxophone line over confident male rap vocals. The feel is celebratory and sexy rather than hard — a good-times club groove that lands cleanly at the end. Best for lifestyle footage where the lyric can carry the scene.
The hardest and shortest cut here: 94 BPM in E minor, heavy laid-back beat, thick bass and gritty electric guitar under a swaggering male rap. Smoke-filled, bad-ass and unapologetically street, with drug-culture connotations in the title and hook.
The most upbeat track on the record at 120 BPM in F# minor, with a driving beat, bouncy bass and bright electric guitar behind a playful, motivated male rap. Optimistic and youthful in tone, aimed squarely at teen and high-school energy and a get-it-done attitude.
A reggae-leaning hip hop hybrid at a fast 160 BPM in E minor, with skipping drums, fat bass, electric guitar and a raunchy Caribbean-flavoured male rap. Loose, sweaty and club-ready — the most rhythmically distinct cue on the album and the shortest of the set.
A smooth 107 BPM groove in C minor built on beat, bass, electric guitar and keys, with a confident male rap and a romantic, flirtatious slant to the title and hook. Feel-good and slightly softer than the rest of the EP thanks to the keyboard bed, closing on a resolved ending.