The album's title cue: a live string quartet of violin, viola and cello moving at an unhurried 76 BPM in G, warm but shadowed. At just over four minutes it is the longest and most patient piece here, with room for a slow emotional build and a settled close.
A short, hushed quartet piece at 68 BPM in B flat, intimate and introspective in the way its title suggests — a beginning rather than a climax. Under three minutes, it works as a compact opening statement for strings alone.
At 91 BPM this is the most active cue on the record, an E flat quartet with genuine forward motion in the bowing rather than sustained stillness. Emotional and cinematic, it suits sequences of things being built, formed or set in motion.
The slowest of the mid-length cues at 64 BPM in D, spacious and reflective with long-held violin and cello lines. Its unhurried pace over nearly four minutes makes it a natural bed for reflective narration or slow-motion imagery.
Moderately paced at 81 BPM in A, with a steadier pulse under the strings than the album's slower pieces and a hopeful lift suggested by the parenthetical subtitle. Emotional neoclassical writing for violin, viola and cello with a clear shape across three and a quarter minutes.
Shares the 81 BPM tempo and key of A with "From the Dust" but runs shorter and tighter, three voices interlocking as the title suggests. Moody and intimate, useful when a scene needs momentum without swelling to a full orchestral peak.