Grooveline

Pitchless percussion cue at a mid-tempo 94 BPM, built from kit drums, hand claps and layered percussion with shouted vocal samples and FX punctuating the groove. Struts rather than sprints, so it sits under narration without fighting it, and the chant-style vocal hits give it a locker-room swagger.

The album's title groove: 94 BPM of drums, claps and percussion with no vocal layer, leaving a cleaner, drier rhythm bed than its companion cue. Confident and bouncy with a marching undertow, it holds a steady pocket for the full 1:35 rather than building dramatically.

At 116 BPM this one adds cowbell and a snappy snare to the claps-and-drums core, giving it a cheekier, more retro-funk lilt. The cowbell is the hook, so it reads playful and slightly comic rather than purely athletic across its 1:47.

The fastest-feeling of the mid-range cues at 150 BPM, driving drums and stadium-style claps with vocal samples and FX shouting over the top. Aggressive and crowd-facing, it suits big-screen hype moments and cuts hard on the downbeat.

A brisk 136 BPM drum, clap and percussion workout with no vocal or melodic content at all, so it functions as a pure rhythmic engine. Tight 1:35 runtime and a marching pulse make it easy to drop under fast-cut action.

The quickest cue here at 160 BPM, all kit drums, percussion and clapping pushed to a near-double-time gallop. Relentless and upbeat across 1:46, with no melodic instrument to date it, so it works as raw propulsion.

A four-on-the-floor-friendly 128 BPM groove of drums, claps and percussion, confident and clean with a marching backbone. The title's attitude matches the feel: brash and forward-driving, ideal where a percussion-only bed needs to carry a whole 1:38 spot.

A 120 BPM percussion showcase — drums, claps and layered hand percussion trading the foreground with no harmonic instruments. The neutral tempo and 1:47 length make it one of the most versatile beds on the set for narration-led cutdowns.

Loose, mid-tempo swagger at 106 BPM from drums, claps and percussion, more hip-swinging than athletic. The relaxed pocket over 1:43 gives it a cheeky, confident walk rather than an all-out sprint.

At 104 BPM this is the most laid-back groove in the collection, a marching-band-flavoured mix of drums, claps and percussion that struts at walking pace. Its 1:42 length and lack of melody make it a dependable rhythmic underlay for talking heads and titles.