The album's title cue: C minor hybrid trailer score built on analogue synth layers, cello and heavy brass braams with choir lifting the final push. Moves from ominous stillness to an explosive heroic-villain climax, the widest emotional swing on the record at 3:34.
Faster and more percussive than its neighbours at 90bpm in F# minor, with trailer drums and male vocal textures over analogue synth, cello and braam hits. Haunting and mysterious in the opening, then driving into action-weighted impacts.
The most overtly sci-fi cue here — 100bpm in D minor with piano and strings threaded through synths, trailer drums and choir, and less darkness in the mood profile than the rest of the album. Tense and mysterious rather than menacing, suited to exploration and discovery footage.
A psychological-thriller lean: 95bpm D minor with vocal samples and processed FX over cello, brass braams and trailer drums. Haunting and unnerving in the verses, breaking into explosive percussive impacts — good for hacking, surveillance and paranoia footage.
The slowest and shortest cue at 70bpm in G minor, and the sparsest: strings, piano and synth over drone with braams and brass held back. Haunting, unresolved and mournful rather than explosive, leaving plenty of room over the top for narration.
An arpeggio-led cold-atmosphere piece at 80bpm in D minor, with synth sequences over drone, braams, brass and trailer drums. Pulsing and mysterious throughout, building tension steadily across 3:38 without ever losing its icy restraint.
The album's funeral piece: 80bpm D minor with choir over drone, synth, brass braams and trailer drums, no melodic strings or piano to soften it. Somber, ominous and slow-moving, built for aftermath and loss rather than action.