A slow-swaggering 85bpm blues rocker in A minor fronted by a female lead vocal, with crunchy electric guitar, thick bass and heavy backbeat drums. Sultry and self-assured rather than aggressive, the longest cue on the set at nearly four minutes, with room for extended guitar attitude between vocal lines.
The slowest track here at 68bpm in D minor, a brooding western-tinged blues with male vocal, gritty guitar and a dragging, heavy-lidded drum feel. Regretful and menacing at once — suited to a scene of loss, betrayal or a long drive away from something.
The dirtiest and most rustic cut on the EP: 91bpm in D major with dobro slide over electric guitar, bass and drums, and a New Orleans twang under the male vocal. Loose, unlucky and grinning about it, and the shortest track here at 2:46.
A 76bpm slow-burn blues rock in B minor with male vocal, distorted guitar and a firm, unhurried rhythm section. Serious and confrontational — western grit with a stare rather than a shout, good for confrontation build-ups and morning-after aftermath.
The most anthemic track on the EP — 85bpm in A minor with a stomping, foot-on-the-floorboards beat, crunchy guitars, bass and male vocal, and no western colouring. Built for defiance and endurance, an underdog-rising feel rather than a barroom sulk.