The fastest cue on the album at 174bpm in E minor, pairing a double-time grime beat with hard sawtooth synth stabs and a rapped male lead. Short at 1:51, it stays at full aggression from the top, and the title's dig at privilege gives it a sneering, confrontational edge.
At 130bpm this is the heaviest, most swaggering tempo on the record — a slower grime stomp in E minor with wobbling dubstep bass under an aggressive male rap. Its 2:36 runtime is the longest here, leaving room for full verse-and-hook structure in a longer edit.
The title cue, and the outlier tempo-wise: 84bpm in E minor gives a half-time, head-nodding grime groove with dark synth lines and a hard-edged male vocal. Slower pulse makes it the most menacing and least frantic track on the album, better suited to swagger than to chase.
150bpm in F# minor with tribal percussion colouring the grime beat, hard synths and an aggressive male rap. The drum-led feel gives it a chant-like, ritualistic drive that sets it apart from the album's more electronic cuts.
153bpm in F minor, the darkest-titled cue here: heavy dubstep bass, cold synth textures and a hard male rap over a driving grime beat. Runs 2:15 with sustained intensity and no let-up, suiting footage that goes somewhere ugly.
135bpm in E minor and the most processed track on the album — glitch edits and chopped vocal stutters cut across the grime beat and synth bass alongside the male rap. The digital fragmentation fits tech, glitch-art and hacking imagery as much as street footage.
The album's Russian-rap centrepiece: 135bpm in F# minor with a hard grime beat, dubstep low end and an aggressive male vocal delivery. At 2:25 it has room to build across verses, and the non-English rap makes it useful where lyrics shouldn't read as literal.
150bpm in G# minor, closing the set with a hard grime beat, dark synth work and a rapped male lead. It shares tempo with two other cues but sits highest in key, giving it a brighter, more cutting top end for edits that need the vocal to punch through.