The fastest cue on the set: a 125bpm F-key hybrid trailer build driven by a hard arpeggiated synth line, impact hits and sound design risers. Villain-facing and pounding across its 2:24, with enough runway for a full trailer three-act build to a final hit.
Shares the 125bpm drive of the album's fastest material but adds brass to the arpeggiated synth core and is tagged emotional as well as dark, giving it more weight and heroic lift. At 2:39 it is the longest of the fast cues, suited to a trailer that needs a loss-then-rally arc.
A tighter 100bpm cue in E built on a repeating synth riff over arpeggios, hits and sound design, tense and stalking rather than all-out. Its economical 2:00 length makes it a clean fit for a teaser or an infiltration sequence that ends on a stinger.
The title cue and the most orchestral of the set — strings and brass layered over arpeggiated synths, big drums and impacts at 110bpm in F, tagged dramatic and emotional alongside the action moods. Its 2:28 build suits a fall-and-rise narrative in a sports or superhero context.
A slower 90bpm half-time stomp in D, riff-and-arpeggio driven with heavy hits and sound design, so the weight lands on each downbeat rather than on speed. Defiant and reclaiming in tone across 2:16, good for a turning-the-tide sequence.
Signal-driven sound design: braams, beeps and synth pulses over impacts at 100bpm in C, with less melodic riff work than its neighbours. The sparser, more textural 1:55 makes it the most voiceover-tolerant cue here, good under narration or on-screen data.
The most fully produced cue on the album — beat, synth riff, arpeggios, braams and beeps at a 90bpm half-time swagger in D, and the only one tagged for car commercial and sports. Its 2:42 is the longest here, with room for a slow-burn intro into a hard final section.
At 77bpm this is the slowest and heaviest cue on the album, a menacing synth riff and arpeggio over huge impacts and sound design in D. The 2:38 length gives a long, ominous approach for footage that wants dread before the payoff.
Companion piece to the other clock-driven cue: ticking elements, synth and heavy impacts, but at a slower 80bpm in F and the shortest track here at 1:33. Robotic and combative, it fits a compact teaser, bumper or ignition moment rather than a long build.