Aggressive club-floor EDM built on hard synth stabs, a driving four-on-the-floor beat and chopped, pitched and distorted male vocal hooks. The title's combative edge points it at confrontation footage — training, entrances, fight promos — and at 3:16 it works as a straight radio-length banger.
The one cue on the set with a flute line cutting over the synth bass and hard club beat, giving it a snake-charmer hook against chopped and distorted male vocal samples. Same 3:16 length and same party-floor intensity as "Fight", but the melodic topline makes it the more exotic, gambling-and-neon option.
At 4:22 the longest cue here and the only one led by a female voice, with pitched and chopped vocal fragments over glossy synths and a club beat; the romantic and emotional tagging suggests a more melodic, feelings-forward build than the album's nastier tracks. Suits a night-out narrative that has an emotional turn in it.
Instrumental-leaning banger with no lead vocal — just chopped and pitched vocal samples used as rhythmic texture over synths, FX and a hard beat. The absence of a sung topline and the 3:25 runtime make this one of the better choices when dialogue or narration has to sit on top of a big club energy bed.
The shortest cue at 2:52 and, unusually for the album, tagged chill, uplifting and feel-good rather than nasty — a brighter synth-and-beat groove with male vocals and pitched vocal chops. Good for a sunlit or euphoric section of a nightlife story rather than the peak-hour drop.
Tagged as a ballad within a club framework — inspiring, emotional and romantic, with male vocals and pitched vocal chops over synths and beat, running a longer 3:57. This is the album's big-feeling anthem, built for a wide crowd shot or a triumphant slow-motion payoff rather than a dancefloor drop.
A crude-humour title over a hard 2:54 club instrumental — vocals appear as chopped and pitched samples rather than a sung lead, so the hook is rhythmic rather than lyrical. Best for irreverent comedy and party footage where a strong topline would get in the way.
Beat-centric club cut whose title points to the rhythm itself — chopped, pitched vocal samples used percussively over synth stabs and hard drums, no sung lead. The 3:05 runtime and DJ-tool feel make it useful for dance battles and anything cut to the kick.
Struttting, attitude-heavy club track at 3:23, driven by synths, FX and a big beat with chopped and pitched vocal samples instead of a full vocal performance. The swagger in the title suits slow-motion entrances, catwalks and anything where confidence is the point.
Glossier, more emotional close to the set — feel-good synths and club beat with chopped and pitched vocal texture rather than a lead singer, running 3:07. The title's screen-and-light imagery makes it a natural fit for visual-heavy montage and tech or event recaps.