Tybercore Shamans Vs. Aliens

A slow 86bpm ritual opener in B flat built on frame drum, dumbek and orchestral drums under wordless vocal chanting, closer to ceremony than combat. At barely over a minute it works as a mysterious, meditative setup before the action rather than the payoff itself.

A short, fast 152bpm burst in A where orchestral drums and synth drive straight into risers, ramps and sound design hits. Under a minute, it is a pure teaser-length blast with no downtime — heroic and pounding from the first bar.

Driving 126bpm A minor percussion with futuristic synth layers, risers and impact design, darker in colour than its major-key neighbours. Just over a minute of relentless forward pressure suited to invasion and destruction imagery.

A 120bpm A minor tribal percussion cue with a lead female vocal chant carrying the melody over orchestral drums, risers and ramps. The ethnic ceremony flavour makes it the album's fire-dance moment — ritual energy that builds to a hard trailer finish.

At 85bpm in A this is the heavy, half-time end of the album: pulsing synth, huge orchestral drums and sound design impacts landing with weight rather than speed. Its 1:36 length allows a full trailer arc from ominous pulse to final hit.

Distorted guitar sits on top of pounding 133bpm A minor percussion and pulsing synths, with risers and ramps threaded through. The longest cue here at 1:49, giving room for verse-level tension before the aggressive final act.

A mid-tempo 113bpm A-major hybrid march of orchestral drums, synth and impact design with a heroic, authoritative stride. The steadier tempo and 1:36 runtime make it a workable bed for narration between hits.

The fastest of the guitar-driven cues at 172bpm in E, pairing distorted guitar with relentless percussion, risers and ramps. Frantic and disorienting, matching the title's spiralling sense of losing control.

A 110bpm A-major battle cue with vocal textures over orchestral drums, synth and sound design, tagged for kung fu and fight scenes. Punchy and combat-focused, its 1:12 length suits a single fight montage.

Distortion and pounding drums with a piano element cutting through, at 118bpm in A. The piano gives it a fraction more dread and melody than the surrounding percussion cues, useful where footage needs a hint of tragedy under the force.

A 125bpm A-major military stomp of orchestral drums, synth and distortion with risers into huge hits. Steady march feel across 1:16, built for troops-and-battle imagery.

A 136bpm A-major terrace-chant style pounder with distorted layers, orchestral drums and ramps. Aggressive and crowd-scaled across just over a minute, aimed squarely at fight and sports footage.

Hard-hitting 155bpm A-major percussion with distortion, risers and huge impacts, sitting near the fast end of the album. Menacing rather than heroic, matching the title's predatory edge.

The album's fastest cue at 185bpm in A, coupling distortion with a bell element over pounding orchestral drums and ramps. At 1:31 it has room to escalate its already extreme tempo into a final wall of hits.

A 120bpm D minor cue where ethnic drums, dumbek and frame drum lead the rhythm with synth and orchestral drums behind, plus risers and impact design. The tribal instrumentation and minor key give it a heavy, lumbering weight true to the title.

At 94bpm in A this is a slow, heavy machine-stomp of orchestral drums, synth and risers with a robotic bent. The deliberate tempo leaves gaps between hits, so dialogue or narration can sit in the space.

A 110bpm A minor percussive cue with synth and sound design, tagged futuristic and robotic, darker than the major-key stompers around it. Just under 1:20 of grinding mechanical drive.

Ethnic drums and frame drum drive a 110bpm A-major build with synth, orchestral drums and risers underneath. The tribal pulse and ascending title point to a triumphant escalation across its 1:09.

Guitar and distortion over 143bpm A-major percussion, orchestral drums and ramps — fast, rock-leaning and aggressive. The title's downward turn suits footage of collapse, crashes or defeat within an otherwise heroic drive.

An unusual 90bpm cue in F, slower and slightly brighter-keyed than the rest, with distortion, orchestral drums, risers and impacts. The half-time swagger and 1:22 runtime make it good for a menacing walk-in rather than a sprint.

A 111bpm A minor pursuit cue with distortion, orchestral drums, risers and ramps packed into 1:05. Dark-keyed and compact — a straightforward chase bed that ends on a hit.

A 118bpm A-major battle pounder with distortion, synth and orchestral drums, risers and impacts across 1:18. One of several cues at this tempo; the unhinged title tips it toward reckless, chaotic footage rather than disciplined heroics.

Shares the 118bpm pulse of its neighbours but sits in A minor and carries a horror tag, making it the most malevolent of the group. Distorted layers, orchestral drums and risers compressed into just over a minute.

A 118bpm A-major cue stripped back to drums, percussion, synth and impact design without distortion, so the raw rhythm carries it. Cleaner and more open than the guitar-heavy tracks, which helps it sit under narration.

An 86bpm B flat cue where dumbek and frame drum bring an ethnic pulse to synth, orchestral drums and sound design. It shares tempo and key with the album's ritual opener, making the two natural bookends — slow, dark and ceremonial with battle weight.