Romantic Comedy Delight Vol.2

The gentlest, most optimistic track — strings, woodwinds and bells at 110bpm in F major with no plucked-string bustle in the tags. Suits a hopeful ending, a new beginning or a soft-landing final scene.

The busiest orchestral cue here: pizzicato strings and woodwinds with brass stabs and hectic percussion at 140bpm in C minor. The minor key plus brass gives it a runaway, everything-at-once feel for escalating farce.

Pizzicato strings, woodwinds, sustained strings and light percussion at a walking 120bpm in F major — the plainest, most all-purpose mischief bed on the album. No dominant solo lead, which makes it easy to talk over.

A warm B flat major cue at 120bpm where vibraphone, pizzicato strings and woodwinds sit against sustained strings. The fuller string bed gives it a daydreaming quality, good for imagination sequences and thought-bubble cutaways.

Glossy vibraphone and pizzicato strings with woodwinds and crisp percussion at 135bpm in D major, breezy and slightly smug. Reads as reality-TV lifestyle gossip: shopping trips, poolside chatter, catty asides.

Loose and lolloping at 100bpm in C major, the album's slowest tempo, with vibraphone, bassoon, woodwinds, shaker and light percussion. The relaxed gait paints amiable idiots at work; at 1:43 it's a tidy short-form bed.

The most storybook cue here — sustained strings, harp glissandi, flute and woodwinds with xylophone sparkle at 135bpm in D major. Its 2:45 length and fairytale palette suit a magical transformation or wide-eyed wonder beat rather than pure slapstick.

Fast and clever at 146bpm in A major: piano and pizzicato strings trading with bassoon and woodwinds, vibraphone colour and light percussion. The brightest, quickest of the scheming cues, suited to a lightbulb moment that immediately snowballs.

A sunny cha-cha at 130bpm in A minor with Spanish guitar, a bright trumpet lead, Latin percussion, drums and bass. The vacation slant makes it a natural fit for resort, cruise and beach-bar footage as well as flirty comedy.

The most driven track on the album — piano, bass, organ, kit and percussion pushing forward at 115bpm in C minor with an action-adventure edge under the comedy. Built for a race-to-the-airport dash or last-minute pursuit.

The slowest of the pizzicato cues at 110bpm and set in C minor, so the mischief tips slightly toward mishap: plucked strings, piano and shaker with hand percussion. Its brief 1:52 makes it a neat bed for a plan going comically wrong.

Classic sneaking-about comedy scoring in D major, with pizzicato strings and a bassoon-led woodwind line answered by vibraphone over light drums and bass. At 120bpm it steps rather than runs, ideal for a plan being hatched on screen.

A tongue-in-cheek tango: Spanish guitar, pizzicato strings, shaker, claps and a walking bass with kit drums, held at a deliberate 120bpm in D minor. The minor key and stop-start dance feel suit an overconfident seducer being comically deflated.

Short, sweet and light-footed — piano and pizzicato strings with bells and small percussion at a bouncing 124bpm in F major. At under two minutes it works as a compact cutaway for pets, babies or anything intentionally adorable.

The album's fastest Latin-flavoured cue: nylon-string Spanish guitar over shaker, handclaps and pizzicato strings at a brisk 145bpm in E minor. Its three-minute length gives it room for a full comic chase or flirtation sequence rather than a short sting.