Advertising Scores Vol.1

A big-build hybrid: pads and synth with piano, beat and bass underneath strings, choir and brass, compressed into a 1:53 advertising arc. Starts intimate and reflective, ends epic and declamatory in line with the title.

Strings and choir across 2:43, heavenly and elegiac with no percussion to drive it forward. The most memorial-leaning cue on the album, moving from intimate to majestic.

Strings and drums only, running 3:33 with a stately, patriotic sweep implied by the title. Reflective and dignified, building to majestic without synths or choir softening the edges.

Strings alone, no percussion, at a brief 1:28 — the sparest and most romantic entry on the record. Warm, majestic and reflective, it suits a short emotional turn or the tail of a longer sequence.

A 3:34 epic orchestral piece with piano, strings, harp, brass, big drums and choir, giving it more space to develop than the ad-length cues. Uplifting and heroic throughout rather than intimate.

The most fully loaded backend build on the album: beat, strings, guitar, piano and bells escalating into big drums, choir and brass. 2:16 of underdog momentum aimed squarely at a triumphant final frame.

Piano and bells over pad and drone with strings, choir and wordless vocal colour, holding an intimate, heavenly opening before a backend build. At 2:07 it lands lighter and more airborne than the drum-led cues on the album.

A back-loaded build: drone and pad under piano, clarinet and strings that hands over to beat and drums, with guitar colour, before the final lift. Its 2:30 shape and delayed climax suit a story that turns from uncertainty to resolve.

The longest of the orchestral pieces at 3:41, scored for strings, choir, woodwinds and percussion with a majestic, wide-open character. Reflective and hopeful early, it has room to swell into landscape-scale grandeur.

The calmest cue here: sustained pads and drone under simple piano and strings, with no percussion to push it. At 1:30 it works as a tender underscore for a single emotional beat rather than a full arc.

Intimate piano with solo violin and viola over warm string beds and a soft beat, growing hopeful and uplifting across 1:49. Suits protective, human-centred storytelling where the message matters more than the music.

A sleek, spy-flavoured advertising build that pairs arpeggiated synth and pads with piano, strings, brass and a driving drum-and-bass floor. Cut to a tight 1:38 commercial length, it moves from a cool, sophisticated opening into a bold, epic payoff.