Comic Relief Vol. 2

A driving, chatty one-minute funk cue whose title points at endless talk, with a persistent groove that never stops to breathe. Good for fast-talking characters, arguments played for comedy, or rapid-fire edits.

A piano-fronted variation on the album's soul-flavoured material, cheerful and cool in equal measure. The keyboard lead makes it more melodic than the funk cues around it, useful as a lighter alternative for the same footage.

The reflective cue on the album: quirky but moody, looking back with mild wistfulness rather than sentimentality. Fits flashbacks and old photographs where the tone should stay light-hearted.

Short, cool retro-soul city motion at 1:14, built for cab rides and street-level footage. Understated and groove-led, with no strong melodic lead competing with dialogue.

A cool, fun funk-soul groove with a slightly warped, sci-fi comic title suggesting sudden shifts and disorientation. Rhythm-first and easy to loop under visuals that jump between locations.

A longer plucked-string comedy cue, nearly two minutes of sneaky, faintly absurd suspense. The extra length gives it room to build mischief where the shorter pizzicato cues only hint at it.

A 25-second soul-funk stinger for the smash-and-grab moment, in and out before the alarm sounds. Best used as a button, transition or sudden cut point rather than a bed.

Slinky, mysterious soul-funk for a heist planned in a city that never lets up, holding its groove steady across 1:41. Cool and unhurried, it suits the plotting stage more than the escape.

A one-minute spy spoof in soul-funk clothing: cool, sly and knowingly sexy, playing secret-agent posturing for laughs. Short and self-contained, useful as an entrance sting for an over-confident character.

The album's Latin-flavoured comedy number, happy and dance-driven with a bright percussive lift. Good for clumsy dancing, party chaos or any gag that needs rhythm to carry the punchline.

Scampering pizzicato chase music, all quick plucked steps and comic suspense, for pursuit at very small scale. Slightly longer and busier than the album's other tiptoe cues, giving an editor a full chase arc.

A 2:34 strummed comedy bed, casual and upbeat, with room to sit under narration or dialogue. The most laid-back of the quirky cues here, driven by rhythm guitar rather than a strong melodic hook.

The longest of the quirky score cues at just over two minutes, pairing playful comic motion with a genuine emotional undertow. Works where a character's oddness becomes endearing rather than just funny.

Retro soul-funk chase material for a getaway that is more comic than criminal, running a steady 1:49 without losing its cool. Untagged for mood but the title sets the scene: sharp suits, spinning wheels, no real jeopardy.

A cool, struttng soul-flavoured cue with a sly, sexy swagger fit for the card table. Groove-led and confident, it plays high-stakes gambling as style rather than danger.

Light-footed plucked-string sneaking music, mischievous rather than menacing, moving on tiptoe through a short 1:17 arc. Ideal for someone creeping where they shouldn't be, with comic suspicion rather than real threat.

A one-minute quirky comedy sting built for stumbles and mishaps, with a lurching, off-kilter pulse that suggests every wrong turn. Short enough to drop under a single gag or a rough travel montage without editing.

A bright, sunny comedy cue with a sweetly romantic tilt, suited to picture-perfect suburban imagery played slightly too perfectly. Light orchestral scoring and an untroubled melodic line make it read as satire when cut against uniform smiles and manicured lawns.