Gentel Lullabys Vol. 1

An open, contemplative cue of just over two minutes, warm and romantic without the sadness marked on its neighbours — music for standing still and looking out. Fits summit shots, drone reveals and quiet arrival moments.

A short, emotional piece with a sad cast to it, its title hinting at loss or removal rather than the album's sleepier moods. At 2:16 it makes a compact bed for a turning point handled quietly.

Lighter and more contented than most of this collection: two minutes of easy, romantic warmth with no sad edge tagged. Ideal for lazy-morning footage, sunlit interiors and gentle lifestyle cutdowns.

The shortest cue on the album at 1:24 — a brief, tender fragment of the same soft, romantic material, over almost as soon as it starts. Use it as a stinger, a bumper, or a short transition between chapters.

A four-minute guitar-led feature, warmer and more openly romantic than the sadder lullabies here, with room to develop across its length. Suits footage that wants a human, hand-played presence: countryside, family archive, or a lingering two-shot.

Explicitly a decelerating piece: downcast and romantic, 3:23 of softening motion rather than any build. Cut it against a story winding down — a relationship cooling, a town emptying out, an ending being accepted.

At 6:26 the longest cue in the set, giving an editor a long uninterrupted stretch of warm, romantic underscore with a sensual edge that sets it apart from the sadder pieces around it. Its length suits full-scene coverage or a documentary sequence that needs to breathe without a music change.

A three-minute lullaby framed as an encore — tender, patient and quietly sad, the sound of one last song before sleep. Good for scenes of tired affection: a parent at a bedside, a long day ending, a goodbye that isn't final.

The title points at a single plucked or bowed string carrying the tune, and at 2:22 it stays intimate and small-scale, emotional with a romantic sadness. Suits close-up footage of hands, craft, or one person alone in a room.

One of the longer, more spacious pieces here at 3:22, sharing the album's soft, romantic-sad character without any obvious lift. The abstract title leaves it free for general-purpose use as a tender underscore where the picture, not the music, carries the story.

A fragile, fragmented lullaby of a cue, its title implying something broken and being gathered up again; the mood is emotional and sad but affectionate rather than bleak. At 2:49 it works as a self-contained scene bed for quiet aftermath.

A weightless, drifting three-minute piece whose title points to slow descent — soft and emotional with a sad undertow rather than any push. Best under footage that floats: snow, drifting light, slow-motion, or a character letting go of something.

The most literally titled cue on the collection: a short, simple lullaby under two minutes, tender and slightly sad in the way children's melodies often are. Its brevity makes it a clean drop-in for a bedtime scene, a nursery reveal, or a brief flashback to childhood.

A gentle, unhurried lullaby-style piece with a wistful, romantic melancholy running through it; at just over three minutes it has room to move from a quiet opening statement to a fuller, warmer middle before settling again. Title suggests a downhill drift or a return home, and it suits reflective closing scenes rather than active ones.