Smooth Jazz Easy Listening 2

The briefest track here at 2:03 and one of the most upbeat, making it a handy sting or short-form bed. The wintry title fits snow and ski footage, though the fun, happy character keeps it far from bleak.

Smooth but tagged emotional, giving it more weight than the album's cheerful cuts while the cautionary title adds a hint of edge. Useful under a scene where something is quietly going wrong, or a documentary passage that turns from comfort to concern.

A longer, unforced smooth jazz cue with a pastoral title, keeping the album's polish while pointing outdoors. Works over forest and park footage, an environmental feature, or a slow drive through countryside.

Short and lightly playful, its title hinting at bright chiming figures over the smooth jazz groove. A neat choice for children's or holiday-adjacent segments, gift guides, and quick transitional stings between show blocks.

One of the longer, more languid pieces at 2:45, with a title pointing at café calm and warm hospitality. Suits slow-food footage, a market in North Africa or the Mediterranean, and any spa or wellness sequence needing live-band warmth.

An observational, mid-length smooth jazz bed with no pushed emotion, tagged simply for its polish. Its title suggests vantage points — balconies, rooftops, someone watching a street below — and it holds a scene without commenting on it.

Mild and springlike, a straightforwardly smooth cue without darker or overtly romantic shading. Good under garden and blossom footage, a seasonal retail spot, or a gentle voiced narration about renewal.

Neutral, easy smooth jazz with no strong mood colouring beyond its polish, which makes it a dependable wallpaper cue. The title's nod to music itself suits arts programming, instrument shops, or a segment about a musician's craft.

At 2:58 the longest cue on the album, and one of the most openly romantic, giving an editor room for a full emotional arc rather than a quick bed. Built for a wedding montage, an anniversary film, or a drama scene of reconciliation.

Happy and polished, with a title leaning toward glossy indulgence — jewellery, boutique interiors, a hotel lobby. Sits comfortably under narration while still feeling like live-band luxury rather than programmed pop.

Cheerful and light-footed smooth jazz, brief and self-contained. Its slightly wry title suits nervous-comic beats — a first date, a job interview waiting room — but plays equally well as sunny neutral background.

The shortest of the mid-tempo happy cues at 2:10, making it a tidy drop-in for tight edits. Despite the constrained title it stays upbeat and easy, good for cramped-office comedy, city commuting, or a quick before-and-after reveal.

The moody, mysterious end of the album's smooth jazz palette — hazy and slightly noir rather than cheerful. Useful under a stakeout, a memory that won't come into focus, or a bar scene shot through with unease.

Warm, unhurried and quietly romantic, with a title that points at porch-light Americana rather than a city club. Fits sunset exteriors, family reminiscence, or an older couple on a rocking chair in a documentary or heritage brand film.

One of the longer and brightest cues on the record, happy and hopeful with a title that implies conversational call-and-response between the lead and rhythm section. Suits banter-driven scenes, back-and-forth negotiation, or a playful edit that cuts between two subjects.

Solitude with an upside — the mood set pairs 'alone' with fun and hopeful, so this reads as contented independence rather than loneliness. Good for a character enjoying their own company: morning coffee, a solo drive, an apartment tidied up after a breakup.

The most inward-looking cue here, tagged emotional, moody and romantic at once, so the smooth jazz surface carries a slower, more confessional undertow. Works under two-hander dialogue, a late-night phone call, or a documentary interview about a private turning point.

A compact smooth jazz cue built for background use, relaxed and even-tempered across its two and a half minutes. The title's counting-up idea suits sequences of steady accumulation — totting up receipts, stacking product, small businesses at work.