Alibi

The slowest cue on the set at 84bpm in C minor, built on a low drone, sparse percussion and cold sustained strings with scattered sound design hits. It holds a pensive, stalled-investigation mood rather than driving forward, ending unresolved.

A 94bpm C minor tension bed where a spare piano figure sits over synth drone, muted bass pulse and processed sound design. The title's serial-killer signature connotation suits reveal moments where a pattern is recognised; the energy stays taut and mid-level without release.

Title cue of the collection, 87bpm in F minor, distinguished by a hang drum pulse over synth drone, bass and sound design textures for an off-kilter, questioning feel. Ideal under a suspect's shifting story or a timeline being picked apart.

87bpm in D minor with drone, bass, quiet drums and thin sustained strings sketching a hypothesis taking shape. Anxious and deliberate, it works as a neutral procedural bed that never spikes.

At 94bpm in C minor this pairs strings and piano over drone and pulsing bass, so it carries more forward lean than its neighbours. Suits the moment an investigation gets a lead and momentum starts to gather.

The shortest of the slower group at 2:10, 92bpm in C minor, combining hang drum, cold strings, drone and sound design impacts into a claustrophobic pressure bed. Built for close, confrontational two-handers where the questions tighten.

The fastest cue here at 112bpm in E minor, with a driving bass and drum pulse under drone and sparse piano. Despite the dormant-case title it is one of the most propulsive tracks on the album, useful where archive material is revisited with urgency.

115bpm in D minor and the quickest tempo on the collection, adding bell tones over strings, drone, bass and insistent drums for a sense of something newly surfacing. The bright metallic layer makes it the most distinctive of the fast cues.

111bpm in D minor, strings and piano layered over a steady bass and drum pulse with drone and sound design wash. The nocturnal title fits night-exterior surveillance and stakeout footage; it runs 2:26, the longest of the fast group.

109bpm in B flat minor, the only track in that key, with sparse piano over drone, bass and a firm drum pulse for an accusatory, closing-in feel. Suits the point where suspicion narrows to one person.