The shortest and most anxious cue on the album — 1:18 of haunting, ratcheting tension that never releases. Built for a cliffhanger cut or the seconds before something goes wrong.
A one-minute cue with a sultry, low-lit character, sized for a single beat or a stinger rather than a full scene. The title's urgency sits against the sensual tone, making it useful for danger-with-attraction moments.
A haunting, memory-tinted score cue that looks backward rather than forward. Two minutes of hollow, lingering atmosphere for archive footage and unresolved history.
A moody, mysterious cue coloured by the duduk's reedy, mournful tone, with a slow sensual pull. Under two minutes and ideal for desert, border or Middle Eastern-set imagery.
The direct continuation of the previous cue — same 1:42 length and the same emotional register, offered as an alternative shade for the same scene. Useful when an editor needs a second pass over similar footage without repeating a cue.
An emotional score cue with a sense of distance covered, paired with a companion piece of identical length. At 1:42 it suits the long-haul stretch of a story where effort turns into feeling.
Short, dark and faintly malevolent, this 90-second cue plays as an interior monologue with something wrong in it. Best used under a confession, interview or voiceover where menace needs to creep in.
The longest cue here and the most aggressive — an intense, mechanised score piece built for confrontation and pursuit. Nearly three minutes supports a sustained action sequence rather than a single hit.
The album's most openly sentimental cue: a sad, tender farewell piece weighted toward loss rather than hope. At 2:14 it has room to build and settle for a full goodbye scene.
An upbeat, bouncing score cue whose title signals rhythmic playfulness rather than emotional weight. Two minutes of light energy for comic or kinetic sequences.
A downcast, low-lying score cue that sits in sombre territory without lifting. Under two minutes, it works for the moment a character absorbs bad news or retreats inward.
Piano-led and light on its feet, the title pointing to a lilting keyboard figure with an emotional, romantic warmth. Two minutes of gentle forward motion that suits intimate character footage.
A neutral, functional score fragment with no strong mood colouring, useful as a transitional or editorial cue between scenes. Just over two minutes gives an editor room to cut it down to a stinger or a bed.
A cool, unhurried score cue with a romantic undertow, built for movement and open road imagery rather than a big payoff. At 1:40 it works as a short travel or reflection bed under dialogue.