Fast 140bpm D minor string writing — violin, viola and cello runs over full orchestra with trailer drums, percussion hits and sweep SFX. The title's regal-comedy connotation suits pompous ceremony and courtly bustle, building across just over two minutes to a hard back-end finish.
At 137bpm in A minor this is the album's longest cue, giving a slower burn from driving strings into full orchestral and trailer-drum weight. The stern title makes it the more severe, less playful option — good for scenes of rationing, reform or grim political manoeuvring that still need forward momentum.
The fastest cue here at 160bpm in A minor, with scurrying violin and viola figures, cello drive and punchy trailer percussion. Its aristocratic title and breakneck tempo point to comic chase, gossip and social scheming rather than battle.
Title cue in C minor at 137bpm, running 2:20 with layered strings, orchestra, trailer drums and SFX risers. The mystical-order association gives it the darkest, most ritual colour of the set, escalating from ominous string ostinato into an exhilarating full-orchestra back end.
At 130bpm in D flat minor this is the slowest and harmonically richest cue, driving strings against orchestra and trailer drums with an elegant rather than frantic gait. The literary title suits romantic intrigue, courtship and drawing-room manoeuvring that still needs a decisive trailer ending.