At 120bpm in G minor, this is one of the two faster cues on the album, pairing a crisp trap beat and sub bass with a sustained drone and minimal synth figures. The mood stays cold and procedural rather than climactic, suiting forensic and evidence-gathering footage.
A slow 74bpm trap underscore in E minor where sparse strings sit over drone, sub bass and skittering hats, the only cue here to add a string layer. Its 2:48 length gives room for a long, brooding interview or reconstruction scene without pushing to a peak.
Slow-rolling trap at 76bpm in C# minor built on a simple piano motif over drone, bass and sparse drums. The repeated figure and unresolved harmony keep it pensive and watchful, good for footage about loyalty, codes and consequence.
The heaviest-textured cue on the album: 78bpm in D minor with piano and pads set against distorted low end, percussion and drone. The grit in the bottom register pushes it further toward threat than the other tracks, useful where the scene turns dangerous.
A 72bpm Bm bed layering an arpeggio, pads and strings over trap drums, sub bass and drone — the widest instrumentation on the record at a compact 2:24. The circling arpeggio suggests surveillance and waiting rather than action.
Mid-slow 88bpm in F minor, with an arpeggio threading through drone, bass and sparse trap drums. Moody and hard-bitten without escalating, it fits footage about neighbourhood divides and characters on the edge of trouble.
At 74bpm in C# minor and the longest of the slow group at 2:49, this cue keeps an arpeggio circling above drone and heavy sub bass with restrained trap percussion. The title's threat is matched by a held, unresolved tension suited to intimidation or betrayal beats.
The slowest and longest cue on the album at 70bpm in C# minor over three minutes, with arpeggio, percussion, drone and deep sub bass under a sparse trap pulse. Its length makes it the natural choice for extended narration about corruption, laundering or financial crime.
A 90bpm G# minor cue that is the most mid-tempo of the slow half, driven by arpeggio and percussion over drone and sub bass. Compact at 2:17 with a steady urban pulse, it suits night-city footage and establishing shots before a case breaks.