Smooth Jazz Easy Listening 1

A loose, mid-tempo smooth jazz groove built on warm Rhodes chords and clean electric guitar, funky but unhurried. Sits comfortably in the background across its two-and-a-quarter minutes without pushing for a big statement, making it easy to loop or trim under narration.

Cheerful, relaxed jazz with clean guitar, bright horn punctuation and conga adding a light latin-tinged shuffle. The title's mock-tough wordplay matches the cue's easy wink — upbeat but never aggressive, with enough percussion motion for walk-and-talk footage.

A playful, funky guitar-led jazz cut with a cheeky forward momentum that suits comic mischief more than real heat. The short two-and-a-half-minute form keeps it punchy for edit-length spots.

Slow, sultry easy-listening jazz with soft electric guitar over sustained keyboard pads, relaxed to the point of near-stillness. The most sensual, low-energy cue here — good for late-evening or intimate imagery.

Funky guitar jazz with an inquisitive, news-desk edge — the groove keeps moving while leaving the middle open for a reporter's voice. Its investigative undercurrent gives light factual footage a bit of purposeful drive without turning tense.

A compact, high-spirited guitar funk workout, playful and jazzy, running under two minutes with no wasted intro. The shortest of the upbeat guitar cues on the album, cut close for promos and stings.

Laid-back funk-jazz where a muted trumpet line and wordless female vocal float over Rhodes comping. The vocal colour makes it the most distinctive texture on the record — soulful and relaxed rather than driving.

A brief seventy-second funk-jazz sketch of Rhodes, clean guitar and synth colour, relaxed but with a definite groove pocket. Its length makes it a natural sting, tag or scene-change insert rather than a full bed.

Percussion drives this one — a cheerful, playful jazz groove where the kit and hand drums carry the interest rather than a melodic lead. That makes it unusually open for dialogue or narration while still feeling lively.

Mellow, gently jazzy easy listening with flute and sax trading melody over soft piano, the longest of the relaxed cues at 2:45. Warm and pastoral in feeling, suited to seasonal or rural imagery and unhurried storytelling.

A romantic bossa-flavoured jazz piece for piano and upright bass, the album's longest track and its most emotionally open. The acoustic trio feel and gentle sway suit intimate two-handers and wistful reflection.

Guitar and horn-section jazz with a nostalgic trumpet lead out front, playful and romantic with a light forward push. The prominent melody makes it a foreground cue for a montage rather than a talk-over bed.

A short, purposeful trumpet-and-guitar jazz cue with an investigative, slightly noir-ish forward motion. At under ninety seconds it works as a scene-setter or chase-lite insert rather than a sustained bed.

Despite the title's suggestion of a slow blues, this is a bright, funky guitar jazz cue with a playful bounce and a tight two-minute frame. Shares the album's clean guitar-led sound with a bluesier melodic accent.

Cool, funky jazz with guitar and stabbing horns and a sense of restrained action — the swagger cue of the set. Suits stylish movement and quick cutting without ever losing its lounge composure.

Bass-forward funk jazz with clean guitar and horn accents, cool-headed rather than heartbroken despite the title's parting shot. Steady groove throughout, easy to cut for scene work or a walk-away moment.