Piano Poems

The longest and slowest piece on the set: unaccompanied piano in B minor at 95 BPM, with room between phrases and a cold, patient melancholy suited to its title. It sits in one reflective mood rather than building, making it the natural choice when a scene needs to breathe for close to three minutes.

A short, direct D minor solo piano lament, just over two minutes, with a slightly firmer pulse at 100 BPM than the album's slowest cue. The title points it at absence and aftermath, and the compact length makes it easy to drop under a single scene or a narrated passage.

The briefest cue here at 1:51, solo piano in C minor at 100 BPM, moody but with the hint of lift its title suggests. Its short duration makes it useful as a transition, a cold open, or a tail-out under closing narration.

Introspective solo piano in G minor at 100 BPM, drifting and interior in keeping with its title, running a compact 2:15. Darker-toned than the other mid-tempo pieces on the record but held at the same intimate, unhurried dynamic throughout.

The outlier on the album: the only piece in a major key (G) and the only one with a fast notated tempo, giving the solo piano a lighter, floating motion that matches the title. Still recorded intimately and close, so it reads as gentle and hopeful rather than energetic.