A somber C minor underscore at 90 BPM built on piano, strings and restrained brass, with no vocal to compete with dialogue. The mood is unsettled and questioning rather than tragic, suited to a character weighing bad options. Compact at 2:35, it works as a scene bed under narration.
The fastest and darkest of the vocal cues, 120 BPM in D# minor with strings, brass, bells and wordless female voice over choir. The pulse gives it forward drive while the key keeps it cold and oceanic, matching the title's sense of depth and dread. Good for a mounting sequence that needs weight rather than release.
At 3:18 the longest cue here, 110 BPM in B flat minor, with strings, brass, bells and operatic female vocal over choir giving it a suspended, dreamlike quality. The extra length allows a slow swell and settle, useful where a montage needs room to breathe. Melancholy rather than hopeful.
The only cue on the album with drums, in D minor with strings, brass, bells, female vocal and choir — the most propulsive and physically kinetic of the set. Its 2:14 running time and percussive underpinning suit flight, escape or the crest of an action beat. Grand but still in a minor key, so triumph reads as costly.
Sparse piano and strings only, 90 BPM in C minor, the most intimate and stripped cue on the record. Reflective and elegiac, it reads as memory and loss rather than active drama, with plenty of space for a narrator. Nearly three minutes of steady, unhurried underscore.
F minor, the only cue in that key here, with strings, brass, bells, female vocal and choir. The title points to perseverance under strain: dignified effort rather than victory, dark-toned but forward-leaning. At 2:29 it fits a tightly cut struggle montage.
C minor cue combining piano with strings, brass and operatic female vocal over choir — the piano gives it a more personal centre than the other vocal tracks. Somber and drifting across 2:55, evoking water, distance and separation. Suits a slow reveal or a mourning sequence.
Strings-only writing at 110 BPM in D minor, with no vocal or brass — the cleanest bed on the album for narration. Steady and purposeful, its title suggests recovery and renewed motion, though the minor key keeps it sober. Just under three minutes of continuous underscore.
A minor at 120 BPM with strings, female vocal and choir, the brightest key on an otherwise darker record. Fast enough to carry momentum while the wordless voice lifts it toward the consolation the title implies. Ends the set on an upward emotional turn in 2:35.